Super Eurobeat 233
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- Eurobeat Scholar
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There are samples of SEB 233 up on this Japanese site, but it won't work for me...can anybody get it to work? I've been checking this site out every day, and they just put up the links today, but aren't working yet...
http://shop.tsutaya.co.jp/%E3%82%B9%E3% ... 064102334/
http://shop.tsutaya.co.jp/%E3%82%B9%E3% ... 064102334/
Last edited by synthjunkie on 16 Apr 2015, 19:04, edited 4 times in total.
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- Eurobeat Scholar
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Now we have some run times for the songs:
(RUN TO ME looks good, coming in at 6:24!)
1  HAI HAI / (00:04:01)
2  MANIFOLD LOVE / (00:04:03)
3  BEAUTIFUL NIGHT / (00:04:53)
4  CHANGE YOUR TIME / (00:05:27)
5  SPIRIT OF THE NIGHT / (00:05:45)
6  LOOKING FOR A SEXY BOY / (00:05:11)
7  OH MAMMA MIA / (00:04:56)
8  GO GO GO BIG BANG BLOW / (00:05:32)
9  GIMME ALL YOUR LOVE / (00:05:05)
10  SEVEN NIGHT / (00:04:25)
11  LITTLE GIRLS CANNOT BE WRONG / (00:05:05)
12  GO GO PLAYER GAMES / (00:04:25)
13  RUNNING ON LOVE / (00:05:04)
14  RUN TO ME / (00:06:24)
15  DANCE ALL NIGHT / (00:04:01)
(RUN TO ME looks good, coming in at 6:24!)
1  HAI HAI / (00:04:01)
2  MANIFOLD LOVE / (00:04:03)
3  BEAUTIFUL NIGHT / (00:04:53)
4  CHANGE YOUR TIME / (00:05:27)
5  SPIRIT OF THE NIGHT / (00:05:45)
6  LOOKING FOR A SEXY BOY / (00:05:11)
7  OH MAMMA MIA / (00:04:56)
8  GO GO GO BIG BANG BLOW / (00:05:32)
9  GIMME ALL YOUR LOVE / (00:05:05)
10  SEVEN NIGHT / (00:04:25)
11  LITTLE GIRLS CANNOT BE WRONG / (00:05:05)
12  GO GO PLAYER GAMES / (00:04:25)
13  RUNNING ON LOVE / (00:05:04)
14  RUN TO ME / (00:06:24)
15  DANCE ALL NIGHT / (00:04:01)
Change Your Time is 22 seconds longer than the version released so they probably did slow it down.
"SHES PLAYING WITH THE GOD DAMN NUMBERS!" Phil on explaining Play With The Numbers
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
Holy shit 6:24, now that's TRUE old school EXTENDED VERSION right there and none of that 4:01 bs. My guess is the track probably belongs to Delta.synthjunkie wrote:Now we have some run times for the songs:
(RUN TO ME looks good, coming in at 6:24!)
1  HAI HAI / (00:04:01)
2  MANIFOLD LOVE / (00:04:03)
3  BEAUTIFUL NIGHT / (00:04:53)
4  CHANGE YOUR TIME / (00:05:27)
5  SPIRIT OF THE NIGHT / (00:05:45)
6  LOOKING FOR A SEXY BOY / (00:05:11)
7  OH MAMMA MIA / (00:04:56)
8  GO GO GO BIG BANG BLOW / (00:05:32)
9  GIMME ALL YOUR LOVE / (00:05:05)
10  SEVEN NIGHT / (00:04:25)
11  LITTLE GIRLS CANNOT BE WRONG / (00:05:05)
12  GO GO PLAYER GAMES / (00:04:25)
13  RUNNING ON LOVE / (00:05:04)
14  RUN TO ME / (00:06:24)
15  DANCE ALL NIGHT / (00:04:01)
FUCK YOU AVEX. Seriously.Javy wrote:Change Your Time is 22 seconds longer than the version released so they probably did slow it down.
I don't understand why you would slow down a track.
170 -> 155 BPM lengthen the track by ~30 seconds.
170 -> 160 BPM lengthen the track by ~20 seconds.
So, it's probably ~159-160 BPM.
Still, FUCK YOU AVEX.
椛ちゃん、助けてぇぇぇぇぇ!
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- Eurobeat Master
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Coincidentally, I was thinking the same.WNight wrote:Holy shit 6:24, now that's TRUE old school EXTENDED VERSION right there and none of that 4:01 bs. My guess is the track probably belongs to Delta.
Me neither. To make things go faster is comprehensible, but the other way is just…Lebon14 wrote:FUCK YOU AVEX. Seriously.
I don't understand why you would slow down a track.
Have we considered the possibility that Saifam themselves slowed it down or slightly remixed it, and just never put it on Juno?
"SHES PLAYING WITH THE GOD DAMN NUMBERS!" Phil on explaining Play With The Numbers
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
Hey fans, think about it!
I saw many comments of dissatisfaction here, on Facebook, people have still new weirder pretensions.
Music world, Eurobeat world changed. How many artists known from contemporary Super Eurobeat achieve today worldwide successes, release albums? Who had these successes, has already strongly stopped in career.
In 90s were magazines and previews of new releases on the last page current CD said "Next: SEB Vol. X, Maharaja Night Hi-NRG Revolution Vol. X".
Now before premiere is known tracklist, parts of songs, everything, no suprise, no interesting waiting time!
Two, three only digital songs by one label, on one japanese compilation, and then hardly few hundreds copies sold.
Maybe I am antiquated, but facts speak for themselves.
I saw many comments of dissatisfaction here, on Facebook, people have still new weirder pretensions.
Music world, Eurobeat world changed. How many artists known from contemporary Super Eurobeat achieve today worldwide successes, release albums? Who had these successes, has already strongly stopped in career.
In 90s were magazines and previews of new releases on the last page current CD said "Next: SEB Vol. X, Maharaja Night Hi-NRG Revolution Vol. X".
Now before premiere is known tracklist, parts of songs, everything, no suprise, no interesting waiting time!
Two, three only digital songs by one label, on one japanese compilation, and then hardly few hundreds copies sold.
Maybe I am antiquated, but facts speak for themselves.
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- Eurobeat Master
- Posts: 540
- Joined: 23 Aug 2014, 23:50
- Location: Oh baby break it up! Yeah!
- Contact:
Excuse me?
Let's be realistic: almost no eurobeat/italo/disco/hi nrg artist would achieve worldwide success (not 2 decades ago, let alone now). It's not pop music, it's not appealing to many people - "just old music" - don't expect that to change anytime soon (with few exceptions). We're lucky for still having two, three only digital songs by one label, on one japanese compilation nowadays, I believe.
At the same time, it could gain some ground with the right marketing and enough advertising, for example. Not new or weird pretensions - neither impossible. Eurobeat is always changing to survive, huh?
Let's be realistic: almost no eurobeat/italo/disco/hi nrg artist would achieve worldwide success (not 2 decades ago, let alone now). It's not pop music, it's not appealing to many people - "just old music" - don't expect that to change anytime soon (with few exceptions). We're lucky for still having two, three only digital songs by one label, on one japanese compilation nowadays, I believe.
At the same time, it could gain some ground with the right marketing and enough advertising, for example. Not new or weird pretensions - neither impossible. Eurobeat is always changing to survive, huh?
First of all, I am too happy, that this music is still alive.
When we are only basing on Super Eurobeat, even they fell to the same level - declining popularity. As I said, it's sad. Can't help internet, promotion, disclosure everything before releasing.
So I meaned, that are bigger problems, than for example lower tempo on SEB CD, comparing to original versions. And fans shouldn't share in premiere day new tracks on YouTube in my opinion. That's not support favorite producers and singers, but exposure to losses, because so much people listen once and won't pay.
I support Dave Rodgers in separate Facebook group. Probably some of you on this forum know that. He is also very pleased because of that. In fact mention about past give him and some fans more fun, than news. Of course nobody haven't to agree with me.
Something is wrong, if even in main place of Eurobeat popularity, people don't want to buy new SEB.
I agree for word "almost". But some a narrow group of them, is alive legend, not only thanks to Eurobeat, since 80s, and some of them don't need anymore this genre for successes.milachan wrote:Let's be realistic: almost no eurobeat/italo/disco/hi nrg artist would achieve worldwide success (not 2 decades ago, let alone now).
When we are only basing on Super Eurobeat, even they fell to the same level - declining popularity. As I said, it's sad. Can't help internet, promotion, disclosure everything before releasing.
So I meaned, that are bigger problems, than for example lower tempo on SEB CD, comparing to original versions. And fans shouldn't share in premiere day new tracks on YouTube in my opinion. That's not support favorite producers and singers, but exposure to losses, because so much people listen once and won't pay.
I support Dave Rodgers in separate Facebook group. Probably some of you on this forum know that. He is also very pleased because of that. In fact mention about past give him and some fans more fun, than news. Of course nobody haven't to agree with me.
Something is wrong, if even in main place of Eurobeat popularity, people don't want to buy new SEB.
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