[quote="ryosuke63"]Drnrg,
http://www.discogs.com/Bella-Model-Dont ... ter/274656
Nice to see that I had it right recarding the sleeve.
Dr NRG, I shall sent you the list this weekend
FLEA Records @ Juno!
That's cool! It's a good thing that all those credits are available as well. iTunes and Juno don't show them. So it was Newfield who recorded and mixed those great songs like Ross - Don't Stop and Valentino - Tonight. The style is a bit similar to Chester - Hold The Line (Time records).drnrg wrote:I also found it here. along with 100s others. Checkitout
http://eurosati.web.fc2.com/top.html
One thing regarding the Pasquini productions though - it seemed as if at a certain point the good songs went to A beat C and the less interesting songs went to Flea. Take for instance a great name like King Kong & D.Jungle Girls. Pasquini did very well at first, with Love & American Dollars and King Kong, which were at the same high level that Farina put into those songs. And then we got Bingo, Bad Man and Merry-Go-Round. Not really bad, but they surely missed the sparkling sound of the earlier Pasquini-produced Flea songs. Maybe he was still on contract and had to put music in Flea's hands even though he had his own label. Or those songs were rejected by Avex, who knows
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I used to think the same thing about them being rejected by AVEX, but come to think of it no FLEA label song ever made the SEB cut. I didn't think the songs were bad at all. They just had a really different sound than a Mauro Farina production. I remeber how different Thomas & Shubert sounded on Dall Ora's I'm Living Alone as opposed to Crank it Up and Littler Flower BYW, I really liked Merry Go Round, but sounded really odd under the King Kong alias.One thing regarding the Pasquini productions though - it seemed as if at a certain point the good songs went to A beat C and the less interesting songs went to Flea. Take for instance a great name like King Kong & D.Jungle Girls. Pasquini did very well at first, with Love & American Dollars and King Kong, which were at the same high level that Farina put into those songs. And then we got Bingo, Bad Man and Merry-Go-Round. Not really bad, but they surely missed the sparkling sound of the earlier Pasquini-produced Flea songs. Maybe he was still on contract and had to put music in Flea's hands even though he had his own label. Or those songs were rejected by Avex, who knows
Razz
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