MKwiakaku wrote:As long as the normal tracks stay, and they stay either way radio or extended versions, I'm fine with whatever happens. Just don't make SEB into an all non-stop cd (like WLTP).
Super Eurobeat 192
I always refer back to JGTC 2003 Second Round and 143. Both CDs had songs that were unreleased at the time. I remember how the forums were abuzz about Lolita - Heart Attack when it came out on 143 and how everyone wanted it. Even more recent is the introduction of Tsundere Night and Bad Boy on the 9LoveJ album got people interested.MKwiakaku wrote:As long as the normal tracks stay, and they stay either way radio or extended versions, I'm fine with whatever happens. Just don't make SEB into an all non-stop cd (like WLTP).
And adding songs to the introduction that are not on the cd is a bad idea. It makes everyone want that song, and because it'll probably never be released (or at least not within a year), but it won't be available. And that sucks. :r
You can hate me but you know you have quality issues =p
I don't like nonstop format because they start to become really dull the further you go. Granted, they are good for long workouts, but they have to be really good in order for me to actually want to listen to them (i.e., EM 1, EM 14, and SEB 108), or else I'll lose interest by the second half. It generally works better imo when you present everything on the album in their entirity instead of mixing them with other songs without any real breaks.
If they do ever switch the format to nonstop, mu-mo.net will at least hopefully supply us with the full versions, but as for everyone else, I hope Japan actually prefers nonstop with yet another format change.
If they do ever switch the format to nonstop, mu-mo.net will at least hopefully supply us with the full versions, but as for everyone else, I hope Japan actually prefers nonstop with yet another format change.
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- Eurobeat Fan
- Posts: 144
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- Location: Umeå
Agreed with the first line, I can't help but be impressed by 19x already, although we are really just starting out.euro up north wrote:This seem to be an album worth waiting for. Can´t be too long until the release of samples...
Very potential album. 191 wasn´t the strongest album, but this could be something extra. The line-up is impressive.
The wait between 189 and 191 was hella long, At least this wait seems more reasonable.
You and me like a fire tonight
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
The title itself suggests otherwise. I am speculating Food Fighter to be something else other than LFT and LITNOL, probably a tad more wacky and nonsensical.Brisk wrote:Here's hoping Food Fighter is the fast style like LFT/LITNOL.
You and me like a fire tonight
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
Most of 162 seems geared to be slower. Nack 5 isn't too too fast. It's actually 145 bpms. Valery Scott's A Simply Melody is also very discoey if you haven't heard it The bassline is trippy and dancey and slow to Saifam's usual speed (even for back then).
You can hate me but you know you have quality issues =p
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- Eurobeat Master
- Posts: 532
- Joined: 17 Jan 2008, 02:29
Why would they?
Did they credit Misa for being similiar to Banzai for A Love At First Sight?
Did they credit Lee Jung Hyun for being similiar to Ba Kkwo for Queen Of Love?
The answer is no and they really don't have too.
Since none of the 3 are exactly the same as the originals.
Did they credit Misa for being similiar to Banzai for A Love At First Sight?
Did they credit Lee Jung Hyun for being similiar to Ba Kkwo for Queen Of Love?
The answer is no and they really don't have too.
Since none of the 3 are exactly the same as the originals.
"SHES PLAYING WITH THE GOD DAMN NUMBERS!" Phil on explaining Play With The Numbers
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- Eurobeat Master
- Posts: 532
- Joined: 17 Jan 2008, 02:29
I doubt Saifam would ever get sued for it, and even if they did they have more than enough money to make the lawsuit unprofitable for the suers. Besides the songs already have been made and released so its really a moot point.
"SHES PLAYING WITH THE GOD DAMN NUMBERS!" Phil on explaining Play With The Numbers
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
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Podcast available on iTunes & supereuropowerhour.com
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- Eurohero
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- Location: Cambridge, United Kingdom
It depends really - are we talking about the original actually being sampled (i.e. Saifam actually use a bit of the original song), or just the notes/chord sequences are the same?
Sampling is definitely something you can get sued for - hence why Vanilla Ice got sued for using Under Pressure, because he actually sampled the original song and used it directly in his, which you can be prosecuted for if you haven't obtained permission first.
Sampling is definitely something you can get sued for - hence why Vanilla Ice got sued for using Under Pressure, because he actually sampled the original song and used it directly in his, which you can be prosecuted for if you haven't obtained permission first.
Saifam borrowed/rearranged the melodies. No sampling or anything.
"SHES PLAYING WITH THE GOD DAMN NUMBERS!" Phil on explaining Play With The Numbers
<img src="http://supereuropowerhour.com/EuroLogWhite.jpg" height="200" width="430">
Podcast available on iTunes & supereuropowerhour.com
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Podcast available on iTunes & supereuropowerhour.com
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