Robert Stark interview with Bratt Sinclaire
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- Bazooka Bellydancer
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- Eurobeat Scholar
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Re: Robert Stark interview with Bratt Sinclaire
I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.Anthony McBazooka wrote:Here it is: http://www.starktruthradio.com/?p=3657
This interviewer has quite a few other interesting topics he has discussed on his website with other interviewees. I wonder whether he is a eurobeat prime member already?
Re: Robert Stark interview with Bratt Sinclaire
For example what ?synthjunkie wrote:I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.
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- Eurobeat Scholar
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Re: Robert Stark interview with Bratt Sinclaire
I learned that it wasn't Bratt Sinclaire who decided to use words like "fire" "cars" etc all those things famous in the lyrics of eurobeat.Crockett wrote:For example what ?synthjunkie wrote:I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.
He said that Avex handed him over a list of easy to understand words for the Japanese and to incorporate them into eurobeat.
Copying some sentences from another forum...
Bratt Sinclaire is the last artist, who approaches so much seriously to Eurobeat and looks to the future.
He admitted, that business in Japan is over not since today... But for him there is no problem, he is fulfilled and wants to continue the career.
As we heard he prepares 3 demos per week. Under Avex Trax unfortunately it doesn't help.
Of course nobody can't enforce and require the same attitude from other producers.
The all hype, popularity nowadays comes from new generation international fans, for who the point of reference are some games, anime, ParaPara, all these things, even more than for traditional Japanese.
The interview was held in Los Angeles (?), so they discussed american market as the place of increasing interest about the genre?...
And here what should I think, I'm not sure.
No legal distribution in these countries, Eurobeat is invariably japanese, the sale isn't better thanks to several people declared regular purchasing in USA, Canada, so...
Fans of dance, cartoons ? But who buys MUSIC used in listed forms of entertainment, that we could say about ANY market?
Just my standpoint...
Bratt Sinclaire is the last artist, who approaches so much seriously to Eurobeat and looks to the future.
He admitted, that business in Japan is over not since today... But for him there is no problem, he is fulfilled and wants to continue the career.
As we heard he prepares 3 demos per week. Under Avex Trax unfortunately it doesn't help.
Of course nobody can't enforce and require the same attitude from other producers.
The all hype, popularity nowadays comes from new generation international fans, for who the point of reference are some games, anime, ParaPara, all these things, even more than for traditional Japanese.
The interview was held in Los Angeles (?), so they discussed american market as the place of increasing interest about the genre?...
And here what should I think, I'm not sure.
No legal distribution in these countries, Eurobeat is invariably japanese, the sale isn't better thanks to several people declared regular purchasing in USA, Canada, so...
Fans of dance, cartoons ? But who buys MUSIC used in listed forms of entertainment, that we could say about ANY market?
Just my standpoint...
Last edited by Crockett on 30 Jan 2017, 17:25, edited 1 time in total.
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