You can have the right. However the problems for artists were started since when everything became easier available. Your choice and possibilities are incredible free, you can have each song without consequences, paying nothing. I don't want to be here some a strange teacher, who has always another opinion, but only on desires neither artists won't survive in the very hard economical times. Probably noone cares for such cases, because being the fan of new music, you can change it anytime for many others genres.mila wrote:I believe a large portion of the money they are getting from eurobeat nowadays comes from "illegal" streaming on YouTube.
My actually first review of new SEB after premiere will be very short and average.
Sun Fire I just skip to be more objective.
David Dima, even as I know is the youngest from the old Eurobeat generation, nice adapted his creation to the current music.
Patty K., Irene and Cherry also made a pleasure for my ears.
The rest surely doesn't match to my taste and taste from all people well remember classical Eurobeat, lightest, gentle, catching emotions A.Beat-C., Time style. They are just more or less wild comparing with new A.Beat-C. after 2000 and I guess it was always the main difference and the reason of closure modern SEB only for japanese market, because 5/6 labels have no chances to be valued as the worldwide dance, electronic music and have no chances for return the old fans to Eurobeat.
Of course, better is that situation, than absolutely stoppage SEB releasing.
SCP is already pretty darn loud but a little bit less than the SEB CD. For the other labels, I can't really say.