Minireview of tracks 1-11 and 13-14:
1) SUPER EUROBEAT by Dave & Futura
Something about it sounds musically unusual (also lacks some reverb). Also, the synth riff isn't my favorite kind (words mixed with synths); despite these I like it a lot.
8-/10
2) POWER OF MY LOVE by Yo Shine
Odd title, but I really like this track a lot. It's solid, as most SCP tracks are for me.
8/10
3) GO BEATIN' WILD by Fastway
Disappointing, I have to say. Something about the chorus seems to lack energy, and I can't hear the synth riff. I'm pretty sure he'll throw something catchy at us in the riff, but perhaps this wasn't a good chunk to take from the song for the sample.
7/10
4) 10,000 LOVERS by Mirka
Something about it just juts out in an awkward way compared to the rest of the tracks. It's a good track, but it's almost completely untouched from its 1993 version; perhaps a small sprucing-up would've been appropriate for the 17-year anniversary?
7+/10
5) NIGHT TRAIN by Manuel
It's a bit too slow for its own good. LOVE the chord progressions, and, might I say I hear a VERY slight difference in the sort of sound used in the synth riff, which is a GIANT leap of difference for GGM. Bravo, even if I do have to speed the track up once I get it!
8+/10
6) NEVERENDING LOVE by Tipsy & Tipsy
It's charming! The chord progressions are nice, and while the chorus is a little sleepy, instead of boring me it adds to the sort of "into infinity" sort of feel I get from it. If this really is an older track, I have to say it still translates well into a modern release.
9-/10
7) YOU ARE MY WONDER by Queen 26
It seems like both Queen 26 and the synth riff are holding back a bit much for this track, or at least what I could hear. Once I hear the final version I'll be better able to judge, but it's... subpar for Queen 26, yet still a good track.
7+/10
SAY GOODBYE by Mr. Moog
LOL, SYNTHESIZER REFERENCE~ Anyway, it's actually NOT Magnani, if I may throw some drama into the mix. Sounds like promising Dima fare and I can't wait to hear the riff!
8/10
9) IN YOUR CAR by Claudia Vip
HRG had no trouble returning to an older sound for the chorus, but the synth riff is, once again, lacking a particular hook. I swear I'm not hating on HRG, they're still a great label, but... they've got pre-201 GGM syndrome: the same synth riff sound, and their choice is particularly weak here. Chorus is good though. I'll have to hear the whole thing to give it higher than...
6+/10
10) WONDERLOVER by K. De Leo
Ah, that old Time sound is back in a great way, and the new Eurogrooves synth sound sort of matches though. What I could hear from the riff didn't excite me much but it still hits as a solid-ish clip.
8/10
11) LIVE IT UP! by Nathalie
Glad to hear her back! (Though I'm still waiting for more cute Roberta Grana~) Unfortunately, Sinclaire once again has the Reverb knob on his master mix set to "11". Chorus was meh-worthy, but the synth riff sounded good. Sinclaire's really been getting better about his synth riff sound choices.
7+/10
13) CLIMBER'S HIGH by Girl Next Door (Remixed by Dima)
J-Euro is a time for my musician's ear to take over my "listen for words" ear, and I can hear that Dima already does this track a great deal of justice. I don't know what on earth she's saying and I can already barely wait to hear more.
9-/10
14) WILD REPUTATION (Rock Mix) by Dave Rodgers
Dave really should've rerecorded his vocals for this one; something sounds oddly juxtaposed about the classic vox, basic rock instruments and overly shiny Orch Stabs. I want to like this track, and were it not for a few tweaks I really would. I wanna hear it in full so I can really get a good earful.
7-/10
I'd say this SEB looks like a good shapeup from the 19X decade. If the "return to basics" was 7A's idea after all, she really did have a good one.