1. Never Say Never / Manuel:
As I stated before, the chorus here is a tad flawed, but the rest sounds awesome.
2. Adrenaline / Ace:
Easily one of the weakest Ace songs to date, by the sound of it. The beginning of the verse has a bit of a creative edge, but the b-melody is sloppy and the chorus + sabi fail to stick out. A lot like Dance in the Starlight, this feels extremely fragmented and tries to achieve too much without adequate flow.
3. Maybe One Day / Karen:
This sounds like it was produced way back in 2001. I'm a fan of classic A-Beat C, but while this track isn't a total bomb, it's not exceptional, either.

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4. Magic Sunday / Dave Rodgers feat. Futura:
I'm not a huge fan of the Dave duets, as they're don't usually offer much originality so much as corniness. This follows the same trend; not the worst, but still far behind tracks like I Just Wanna Find You and Car of Your Dreams.
5. Baby Tonight / Tipsy & Tipsy:
A generally nice, if inoffensive Castellari track from Saifam. The wacky synth is a nice twist, but it's not enough to place this on the same level as the label's classic material.
6. I Just Wanna Stay with You / Dream Fighters:
David Dima's dryness for fresh ideas continues with this banal, disposable production. A safe chorus, repetitive synths, and modest chord progressions make this totally indistinguishable from almost any of Dima's other forgettable tracks from the 220's. The contrast between the older material on Dima Eurobeat Vol. 3 and this is appalling, to say the least.
7. Fairy Tale / Cherry:
Moroni's vocals are still a little dodgy here, but here, she finally gets a much fresher and more coherent piece to work with than her previous two releases. The tune here has a tinge of eurodance influence, but it's cleverly worked off of a classic italo-style progression to create a deliciously unique flair. It's not absolutely perfect, but it gets an A+ for creativity.

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8. Kool Kitten / Franz Tornado:
Wow, what an underwhelming comeback. I would've hoped, after two years, Federico Rimonti would treat us with a modern eurobeat classic that ranks up with Bandolero Comanchero and Super Euro Flash. Instead, he follows down the path of Born To Be Wild In My Car, falling back on a stock Bb minor progression that transitions to Db during the bridge. This horrific letdown is not worthy of the Franz Tornado name.
9. You Got Me Boom! Boom! / Tora:
I like the prominent bass in this track, but otherwise, the production here is a bit unbalanced and doesn't allow for any standout moments.
10. Don't Forget / Paul Harris:
In a genre of mostly formulaic musical structures, Paul Harris' heavy Latin influence is always a refreshing change of pace. This track is just as laid back and satisfying as the the artists' other recent efforts.
11. Moonlight Hero / Ultraviolet:
The mild hints of westernized pop propel this above the boring Dream Fighters track, but it's still too dull to stand out as anything beyond just decent.

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12. Give Me Your Heaven / Ciao Ciao:
All of the originality at Hi-NRG Attack seems to have recently concentrated around Elisabetta Gagliardi. I'll admit that I've come to love her songs on SEB 223 and 224, and this sounds like it will continue that same high streak.
13. Fantasy Car / Powerful T.:
A terribly disposable male A-Beat C production whose only qualities beyond the norm are disruptively superficial, i.e., beginning the chorus on D minor, only to spend the rest of it in F minor instead.

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14. Beat Around / Les & Megan:
As with the bulk of Leonardi's more recent female-led productions, the vocals are too muffled to bring anything out of the tune, which is largely unexciting in itself.

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15. Hot Hot Racin' Car / Go 2:
This is pretty solid stuff, but unlike Funky Funlover or Blood on Fire, I probably won't be listening to it much over a few months from now.
After the surprisingly good SEB 224, this album seems a bit weak. It's not
quite as poor as SEB 222, but it's still overall more miss than hit. The two Delta tracks are the only ones that I'm particularly excited about.