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Posted: 24 Apr 2016, 19:23
by Lebon14
My thoughts:

1. Ken Martin - Hero (Asia)
That intro man. Love it, super cool sounding. I actually warmed up a bit to this song. The chorus is really what grind my gears a bit though.
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2. Lolita - I Wanna Be A Star (GGM)
The last song, It's Raining Love, I really loved it at the beginning but got to my gears after a while. I don't see this song doing that though. A pretty good trance-sounding track. Nice vocals. Simple but effective riff. I like!
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3. Tora - Boom Boom Boster (SS)
What I usually dislike in today's Sinclaire is it's really wacky and all over the place and it feels the song doesn't have a target. This song? It's still wacky, don't get me wrong. But the good kind of wacky. It's really catchy. I'm in love!
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4. Cherry - Forbidden Love (Delta)
You know, this song reminds me of "Yes I Will" a lot; especially with the riff. It's a good thing. An amazing thing because Yess I Will is just really amazing. Forbidden Love feels like Newfield is back although he's not. Besides "My Last Breath Of Love", I really feel this brings a wind of fresh air within' Delta. I really really really enjoy this track.
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5. Ace - I'll Never Break (SCP)
Besides the little annoying "I'll Never Break" intro, it surprisingly sounds close to "I Wanna Be A Star" just above. Don't you guys agree? Anyway, I really love the calm atmosphere going on during the main part of the song. I dare say... I love this aishu track from Ace. I really do.
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6. Vicky Vale - Firegun (Delta)
Whoever is "Sugarini", his style is VERY close to Masahiro "Sugano" Sugawara. So, it's another breath of fresh air for Delta. Feels more fresher than what we got for the last 5-6 years since Newfield left. Very welcome. I feel like Delta could overcome their artistic stump.
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7. Aleky - Do You Remember? (Dima)
Another great track. Such a great riff. Such great vocals. The only thing I have to say is the lack of transitions in certain parts of the song such as from the intro to the first riff. But besides that, very memorable track.
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8. Jeff Driller - Blat The Trumpet (Hi-NRG Attack)
Hahahahaha. Hi-NRG Attack does what they do best: non-sensical, chaotic eurobeat. It's an "Hey Chicken" all over again and I can't say no to this. I love how the song doesn't take itself seriously. xD
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9. Ciao Ciao - Baby Baby (Hi-NRG Attack)
At first, I was "Not this vocalist" again. But... that intro... that riff... that melody... And for once she doesn't like she's forced to sing? We got another succesful track on our hands. :3
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10. David Dima - Shoot! (Dima)
At first, I was like "heh...". But, I rapidly warmed up once I went past the first riff. For once, I feel that the first riff should have been skipped and go directly to the first verse because it would make more sense for the mood of the track. None-the-less, this track has a very aishu sound and Dima did a great job on the vocals and melody. So much love. (dat guitar solo)
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11. Lilly - Walk In The Sunshine (Hi-NRG Attack)
In my honest opinion, it's the only big "flop" of the album. Again, that vocalist does not make the song a favor. The song itself is "OK" at best but the vocals make it even worse. So, it ends up very mediocre.
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12. Jager - Fun (SCP)
OH. MY. GOD. Just... Oh my god. That pop feel mixed with eurobeat sounds. It just hits the right spot. Those vocals. Just so good. *fanboys for 30 minutes*
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13. Les, Ana & Roberta - Kiss Again (SS)
First off, I love Les' voice. I do. And a lot. The stuff I said about Sinclaire still stands true here but, like Boom Boom Booster, this song feels like it has a goal in its melody which I love. Oh what the heck, I love this track a whole damn lot too.
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14. Pamsy - All Over Me (SCP)
That tracey intro. Can't get enough of them. Just fit Eurobeat perfectly, imo. What I love is the mixture of traditional eurobeat sound and trace soundworld. It gives off a very moody melody which I love a whole lot. Maybe not the best Pamsy track overall but still very memorable.
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15. Manuel - Hysteria (GGM)
Here we go for the most agressive track of all the album. I still think that the riff tries too much to be Hi-NRG Attack during their 2004-2008 days. It's just more tolerable from the CD and not recorded from a videocam/smartphone's mic. Anyway, the vocal lines and fucking amazing. Did you know that? Totally the highlight of this track. Also dat solo.
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Overall... HOLY FUCKING SHIT. I haven't felt this strongly for a eurobeat compilation since SEB 195. This album just places way up there in my all-time favorite SEBs. No kidding.

Top 3:
Blat The Trumpet
Fun
Shoot!

Bottom 3:
Hero
Walk In The Sunshine
...err? I Wanna Be A Star...?

Honorable Mention:
Firegun

Final rating:
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Posted: 25 Apr 2016, 04:11
by xiao
 

Posted: 26 Apr 2016, 02:08
by KoolKool
xiao wrote:After a good drive with this album bumpin' on the stereo... I'm gonna veer a bit from the status quo, and say I like 2 of the most polarizing songs of the disc:
60/10
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super overrated...lol! :D

Posted: 26 Apr 2016, 02:15
by Bonkers
I will say if it's one thing 3B can do right, it's put a hard beat in their tracks. I can't wait to listen to Hero in the car simply to hear that hard drum sample.

Posted: 26 Apr 2016, 03:27
by drnrg
Lebon14 wrote:My thoughts:



4. Cherry - Forbidden Love (Delta)
You know, this song reminds me of "Yes I Will" a lot; especially with the riff. It's a good thing. An amazing thing because Yess I Will is just really amazing. Forbidden Love feels like Newfield is back although he's not. Besides "My Last Breath Of Love", I really feel this brings a wind of fresh air within' Delta. I really really really enjoy this track.
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It's funny how this song reminds us both of "Yes I Will". For you; The original ,faster version and for me; it's that DOA special remix that was slower in BPM and sampled, "I Cry For You" from Shy Rose and The famous Dead Or Alive beats.

Posted: 26 Apr 2016, 04:30
by Markos
KoolKool wrote:
xiao wrote:After a good drive with this album bumpin' on the stereo... I'm gonna veer a bit from the status quo, and say I like 2 of the most polarizing songs of the disc:
60/10
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super overrated...lol! :D
lol

Posted: 26 Apr 2016, 12:25
by xiao
 

Posted: 26 Apr 2016, 14:45
by WNight
Alright, time for a little review of my own of what is the best album of the 230s so far.

01. Hero / Ken Martin
I still don't care for Saifam as a whole but I'd be lying if I say this song didn't catch my attention. I also have to say I do not buy Saifam tracks from Juno so I don't get an early bird bonus like some of you do. Their way of production (i.e the tom-tom beat thingy, not good with musical jargons sorry) is probably still what I'd consider the worst style among all the labels present on this album. Fortunately, this song has a very strong melody with the chorus being the highlight of the entire track, but the rest of the song are fairly strong in their own rights. The way the word "Heroooo~~~" is sung, especially the ends of the chorus is single handedly what ups the enjoyment factor of this track for me. Vocalwork is fine, I have no preference for vocalists when it comes to Saifam, I'd just be thanking the heavens if they can put out something worthy of attention like this track instead of being a "skip button bitch" wasting a slot on an SEB album all the damn time. I'd give them this, at the very least, this is 10000000x more inspired than most of their usual faire, which is much, MUCH more than I can say for 99% of their especially atrocious female tracks.
Grade : 3.75/5

02. I Wanna Be A Star / Lolita
Having fun you Gobbi fans? I am not the biggest Gobbi fan around but this song deserves every bit of love it can get. Gobbi has been singing eurobeat for ages, but I haven't heard her sing anything in this umm, disco-ish(?) style (Sorry, I am not good with genres, because I mostly only listen to eurobeat) before and that's something definitely deserving of praise at least. Also, such a style of eurobeat doesn't usually get much from me but this is something different. From the starting intro when I heard her sing that "I Wanna Be A Star" and her "ohhhh yeahhhh!", I knew this was going to work. What really makes this work are the vocal parts, they are not the "average GGM" faire (i.e nothing noteworthy), every portion flows nicely, beautifully constructed and dare I say, Gobbi delivering a style of vocals that doesn't have her screechiness on overdrive, which makes it a MAJOR highlight of the entire track. She has not sound this good for a long time, and never has she sounded so convincing ever since she made the move to GGM. A special mention also needs to be given to the lyrics, which while still doesn't make complete sense from an english perspective, is at least trying to say something instead of what usually basically amounts to plain useless texts. Of course, I am not going to let this one go, the song is not SO good that I can overlook the short length of this song, so I'm taking this one down a notch. Overall though, eurobeat or not, this is an excellent piece that qualifies as what I feel is one of Gobbi's best track and of course, Gobbi's best track ever on GGM, a feat not so easily achieved when you consider the amount of eurobeat she sang and the time she has been on GGM with mostly sub par stuff.
Grade : 4.25/5

03. Boom Boom Booster / Tora
The weakest links of this song are the verse and that sub-par bridge. It just does not flow well with pretty much everything else about this song, which is a pity because they are 5/5 material, the chorus especially. Overall, a very nice song with some minor but not fatal flaws. Not much else to say about this one.
Grade : 4/5

04. Forbidden Love / Cherry
What's going at the Delta studios lately? I swear Mr Matteo Rizzi and the gang at Delta are on freakin' fire. One hit after another, the creative juices at Delta recently has been flowing at an all time high and it seems there's no stopping them! After a slew of aishu, it seems they finally decided to give Clara an upbeat track that of course, still has aishu themes because let's be honest, Clara and aishu just goes together but nothing too dark and gloomy like "My Last Breath Of Love". Honestly, what else can I say about this song besides excellent? Hearing that introduction was enough to sweep me off my feet. It's beautifully sung, it's a very energetic song and it has semi decent lyrics as well. The best part of this song has to be the middle break where Clara sings "Forbidden love, love I keep on dreaming. Forbidden love, love that I regret". I don't know what it's about the part but it sounds the closest to this song being aishu and it just makes me smile hearing it all the time. All in all, this is a great, great, GREAT song, absolutely loving it!
Grade : 5/5

05. I'll Never Break / Ace
Delta took a break from delivering aishu, and apparently SCP decided to take it on to them to deliver something melancholic and naturally, who better suited to such a task than the crooning prince of SCP himself. This is a song that is probably going to evoke the age old topic of "Is it eurobeat?" but honestly, I couldn't care less. This song is awesome, and anyone who disagrees can fight me with torches and pitchforks. This is perfect, and there's so much aishu being jammed into this song, it makes me leak tears with joy, but honestly, listen to the chorus, just listen to the damn chorus, it's hands down one of the most awesome chorus I've heard from SCP ever since "Walkin In The Shadow", and that was a good 10 years ago. Not even "Heavensent", which is in my opinion, probably the best Ace song ever to be made managed such an incredible chorus. Beautiful melody, beautiful vocals, serviceable lyrics with some kind of message I guess, insanely infectious chorus with such an enjoyable yet heavy mood to it. A good song? Hell yeah.
Grade : 5/5

06. Firegun / Vicky Vale
Clara back for a 2nd round, the high level of the album is not slowing down one bit at all and Delta is still burning hot. Ironically, it's Vicky Vale delivering the aishu melody this time while Cherry becomes bubbly. Apparently, Mr Rizzi is not involved in this track, and it sort of shows. No matter though, because this is epic level stuff. This song is catchy to the maximum, and unlike in 236 where the Vicky Vale track was very unfortunately shoved to the sidelines by the far superior Cherry track, this time round, this VV track is just as good as the Cherry track, which makes for a double dose of awesomeness from the Delta studios. I don't like the lyrics on the chorus here though, I mean, the taste of kisses, fireguns and desire, sorry, but seriously?. Anyhow, excellent song, and for those who dislike this track, Delta needs to have a firegun pointed at your skull.
Grade : 5/5

07. Do You Remember / Aleky
Pretty much what you'd expect from a Dima female track that is not Stephy (debatable, but just for the sake of review) : Predictable, bubbly and safe. Not that I am complaining but one could also make the case that it's nothing extraordinary. The only few parts that I find particularly noteworthy are the verses and the synth inserts in between each line, very effective use of minor elements! Other things include a decet vocal melody and of course, Aleky's vocalwork, I love hearing her sing and it's been so long since I heard her sweet voice. The rest of the song is okay, nothing really substantial but serviceable at the very least. Either ways, good to be able to hear Aleky again.
Grade : 3.75/5

08. Blat The Trumpet / Jeff Driller
A weird title Hi-NRG track with probably the funniest yet at the same time, super catchy melody ever. I have loved and hated a ton of Hi-NRG track in the past and am not generally a fan of songs which has wacky themes, but none have came close to this song making me laugh while wishing I could give 100 likes to this song if it was a facebook status. Seriously though, this was unexpected, the preview for this song sucked, but this might, MIGHT very well take over "Piston Go" as my favourite male sung Hi-NRG track, and here's the thing, I have no idea what "Blat" is and I don't even like Federico as a vocalist as compared to Malvicino! That's how much I like this song. Alot of why I love this song is mainly because of the riff, which is downright hilarious sounding and in turn, makes all the rest of the song so much better. Also, those trumpets, ahahaha. The at first annoying introduction slowly became rather ... umm, adorable after a few runs of the song and the wacky "Blat Blat Blat" weren't even an issue anymore. In short, I am sold on this song. It's incredibly wacky and all, but my god, it has one of the best sounding melody from the label in recent albums. Try not to LOL while listening to this, I don't think it's possible.
Grade : 5/5

09. Baby Baby / Ciao Ciao
Malvicino Hi-NRG Attack, again, excellent BGM makers, but it seems as though most of the time, 99% of the effort went there. Vocal portions are mostly either half assed or dare I say it they simply aren't very talented in that department. Not saying that Festari era Hi-NRG Attack was any better but ... let's be honest. Fortunately, this time, they are not blatantly rehashing the same old melody structure but maybe, just maybe, they could very well be masking it somehow, who knows? I am not totally sold on the vocal portions but at the very least, the production is slightly on the meatier side as far as Hi-NRG female tracks go, which is very much a plus, and the BGM is plain excellent. However, I am still not totally on board with Elisabetta's vocals but at this point, I dare say she fits the style of the label perfectly and I'd feel out of place if I were to hear another woman on Hi-NRG's tracks. All in all, by Hi-NRG's standards, this is actually a rather nice piece. A solid 4 at the very least thanks to their knack for BGMs.
Grade : 4/5

10. Shoot! / David Dima
Whenever I see Dima's name now, my instinct would be for me to compare it to "Spirit Of The Night", which was pretty much the "perfect" Dima track. "Shoot!", with it's lower tempo and calmer atmosphere is obviously not going to measure up, but the song is not without it's merits. For a start, I don't think anyone will claim this to be the catchiest melody considering the huge discography of Dima, it's okay at best and might be good when I guess you need a chill or something, but I am certainly not the target audience for this kind of track. Also, I could be missing Sun Fire or something but this song gives me a really heavy Dave Rodgers vibe, like I could totally see a song like this coming from the studio of Pasquini and doesn't even help that "Tell Me" was released just a mere 2 albums ago, which gives me extremely similar feelings. Bottomline, I could give this song the same review I gave "Tell Me", it's not the song I am expecting from Dima and I would be lying if I said I wasn't feeling mildly disappointed. Of course, one could make the argument that a diverse style from artist is always good, and yes, I'd buy that argument, so is this a bad song? Not at all, it's still after all a Dima production and the David Dima alias at least, doesn't do bad songs. The guitar solo was impressive enough for this to be an easy 4 pointer at the very least. All in all, I enjoyed it for what it is but with songs like "Spirit Of The Night" and "Insomnia" just a few albums ago, this song is at best, a "part time" that I would listen once or twice before going to something else. Again, nothing against this track and I know there are audiences who would devour this track, but just a matter of preference.
Grade : 4.25/5

11. Walk In The Sunshine / Lilly
Again, Malvicino era Hi-NRG Attack, great background music makers, average vocal melody makers. I say that all the time but it's pretty much what in a nutshell, my general opinion towards the label as of this point. This track has a stronger chorus than "Baby Baby" but not so much in the riff department. Guess you can't really have the best of both worlds, but I'll say this though, the two female tracks here are without a doubt, very worthy follow ups to the all around excellent "Girl In The Night" instead of whatever it is on the last two albums, so again, while I don't know what else I can say about Hi-NRG female tracks in general considering they're sort of the way they are, but I'll take this one too.
Grade : 4/5

12. Fun / Jager
This guy was once an upcoming fan favourite from SCP, with even a whole website dedicated to this man but his output has been so sporadic that it doesn't even seem so relevant anymore, which is a shame because I thought he had immense potential to deliver the more "non eurobeat eurobeat tracks" from SCP. "Fun" fortunately, is not some Adam Lambert ripoff which is nice. The production, thank heavens, also sounds meatier than what has been served mostly on the SCP plate as of late, especially anything that isn't Hotblade and after the fluffiness they peppered all over 237 (yes, even the Fastway song isn't some hard stuff, what an irony). Still, this song is pretty much what you'd expect out of the Jager name, club/radio friendly eurobeat that will give most traditionalist a major heart attack if they were made of cotton candy. The track does shine best during it's chorus though, at least that's how it goes for me. The rest of the song is pretty much "club music", that's all. I personally love hearing Jager's voice too. Either ways, I love this song but again, it could benefit from a stronger break, which would in turn increase it's length. At this point of time though, you might have an easier time catching flies while wearing boxing gloves than see SCP do songs past 4:25.
Grade : 5/5

13. Kiss Again / Les, Ana & Roberta
Les, Ana and Roberta in a single track. If Sinclaire didn't give his all in this one track and it ends up as a crappy piece of music, I would DEFINITELY mock him with the intensity of a thousand suns. Thankfully, he sort of delivered, rather impressively too. First things first, the introduction is interesting, but I have no idea what's going on what with the whole marijuana thing but with the "Come on!", the show officially begins, Les sings and right there and then, I was sold. The synth usage is still tradiional Sinclaire and not the "Tearful Eyes" Sinclaire but with such a strong melody, I got over it pretty quickly, much more I can say than most other Sinclaire female track. The song also benefit most from having a very memorable chorus, and some cool elements like the short but extremely seductive sounding "comeeee~" near the end of the track. However, I don't think anyone will disagree with me when I say that Les completely steals the show here, and that's not just because she has the most exposure in this track but because I totally fell in love hearing her low, somewhat manly voice. Ana's distinctive and sharp voice was great too, I wish she had more parts and Grana, well, she probably has the most "socially acceptable" female voice among the Sinclaire female roster so no complains there. I would like to make a bold claim just for this song though, the song's 5 minute run time is way too short, while it's nice to have a line up like this, I just feel like this song could have been "The big one" and needed a longer run time and more parts to give each female the time to shine instead of this being somewhat mostly of a Les showcase in my opinion. All in all, this is pretty much "girl power" that could have been fleshed out more, but as it is, it is certainly one of the more memorable female Sinclaire track since "Tearful Eyes".
Grade : 5/5

14. All Over Me / Pamsy
It's amazing how much the previews can differ from the full version. The preview for this track absolutely sucked, it was boring as hell and I was ready to knock this track off. Thank the heavens because the full version is an excellent track! This track is pretty much the definition of what Pamsy is all about, trancey eurobeat that again, might probably piss off a bunch of traditionalists but, let's be honest. It's actually a good sign that SCP is doing something with their introductions while sure, is nothing to write home about, but their habit of beginning song with just an altered version of the chorus is not good and is frankly one of the worst ways to make a good first impression in my opinion. With that out of the way, the riff is still nothing to write home about but one of the defining parts of this track in my opinion is that trance beat in the background, one could say "BUT IT'S JUST A BEAT!" but it's proof that even the smallest elements can make or break a song, at least that's how it goes for me. The preview also picked the wrong chorus to showcase, the first portion of the chorus where Pamsy sings "Stars all over meeee~" is one of the stronger portion of the song and would have made a better first impression had it been on the preview. The trancey "break" starting at 2:53 to 3:15 was A-W-E-S-O-M-E, and was what eventually sealed the deal for me that this is indeed, not just a normal good SCP female track but an exceedingly great track that deserves to be put into my top 10 personal favourite female SCP track hall of fame. SCP, you totally rebounded from the low that was 237, with 3 bullseye in a single album, you guys are awesome.
Grade : 5/5

15. Hysteria / Manuel
And we end off this amazing album with the wildman of eurobeat who I suppose, based 85% of his tracks on "Bohemian Rhapsody". The title of this song could not be anymore well fitting, the song begins with a ominous build up that eventually explodes into for the lack of a better word, a hysteric, over the top riff before taking a slight drop in the wildness in the verse and bridge before once again delivering an explosive and very well sung chorus that is sure to have you on the edge of the seat before again, unleashing a super good instrumental BLAST at 3:11 that lasts for a good 30 seconds or so. Basically, this song is just an outright testosterone injection that delivers hard punches every single moment, and rarely lets up, essentially making most of his other tracks in the past regardless of label seem WAYYYYYY too tame for this tiger eurobeater called Manuel K/Caramori. Vocalwork is also as impressive as usual, I mean, let's be honest, it's Manuel, delivering bad vocals is not his job, delivering flamboyant over the top vocalwork? Most certainly!. Again, the song ends way too fast at a mere 4 minutes but the advantage this song has over the Lolita song is that it sounds a whole lot more "complete" and therefore, I am willing to look past that fact for this track. In conclusion, I have not heard a Manuel song more raw and exciting than this, and because of it, I hereby deem it : THE BEST MANUEL GGM SONG EVER. A great end to an amazing album. Also : Remember to eat your vegetables! Manuel says so, so you should definitely follow it. Weird choice of lyrics, but good lord they're insane, I'll take them.
Grade : 5/5

Top 3:
Bottom 3:
HM:


To hell with this, the whole album is awesome.

Posted: 26 Apr 2016, 16:13
by para_rigby
I love the use of the term "traditionalists" eurobeat listeners. Having been on this forum for over 10 years now, there's been this schism over the past few year between (sorry for the political metaphor here) of liberal and conservative eurobeat listeners. I TEND to fall on the liberal/progressive side of this aisle when it comes to eurobeat incorporating sounds from other genres. I think SCP gets too much flack for being too mainstream, but they have just this superb production power (I remember a time, way back, when people were almost all SCP lovers).

The studios really amped up the game for this album and was so impressed by the new sounds and concepts for the songs here. We have the poppy/trancy SCP, guitar aishu DIMA, chaotic synth SS, wacky HIA, new ideas DELTA, and some disco and rock feels from GGM, and some thumping bass from SAIFAM.

Whether you are a traditionalist or not, you have to agree, this is one of the most interesting volumes in a long while.

Posted: 27 Apr 2016, 08:43
by Lexi Rinale
Anyone notice how the riff for Kiss Again sounds similar to Minimal Love?

Posted: 27 Apr 2016, 18:51
by M2-EB
Yep

must be one of the reasons I liked the song lol

Posted: 03 May 2016, 22:15
by Bonkers
FIREWORKS:
Hero
I Wanna Be A Star
Boom Boom Booster
Forbidden Love
Baby Baby
Kiss Again

SPARKLERS:
I'll Never Break
Do You Remember?
Blat The Trumpet
Walk In The Sunshine
Fun
Hysteria

Duds:
Firegun (I need to listen to this track a bit more)
Shoot!
All Over Me

Can't stand how short I Wanna Be A Star is...

Brightest Firework: Kiss Again

Posted: 29 May 2016, 11:11
by KiraTM
Other than 237, this album arrived in time... but I postponed my review every weekend by another week. Now it's finally time to do it.

01 Hero / Ken Martin
We begin with a robotic-sounding intro and typical 3B sound. Ken sings "Heroooo" and then this guitar. This is love. A nice intro always is a good sign because I loose the mood of listenign a song when there's a bad intro.
Well, the chorus is simple and goes straight in the head. Though, my first impression was between "huh" and "it's okay", the song grew on my over time. It's not his best song, of course, but an ideal first track on SEB.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r8.png">

02 I Wanna Be Your Star / Lolita
I've never been a huge fan of Lolita. her recent works were okay. But while unpacking the CD, this song got my attention. Eurobeat and it has... only 138 BPM? Will this be a slow and boring recycled Sun Fire song from the 1800's? Hell no! This song is perfect on all layers of art. Every little bit is catchy af. The music is catchy and different than any other Eurobeat song I've heard. This song is one of my favorites this decade.
<img src="https://dl.dropboxusercontent.com/u/434 ... ng/r10.png">

03 Boom Boom Booster / Tora
Tora never was an artist I really liked. Also, seeing a song having "Boom Boom" in its name is almost promising this is gotta be a bad song. To be honest, using the word "Boom" is like a lack of creativity for me. However, the musical work is decent, standard SS. Seen objectively, this might be a good Eurobeat song, but subjectively, I don't get warm with Tora's vocals and the average-sounding chorus. It's only okay, but the music rescued some points.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r7.png">

04 Forbidden Love / Cherry
Holy shit, what's going on here? We're only at the fourth song and I already have two instand hits? Yes. Forbidden Love is - with a huge lead - a perfect 10. It begins with the intro, it feels like ithe song is booting up 'till the climax. I love this. I only can say the same as in Lolita's track. Every single bit is catchy and I catched me always clicking on this song first whenever I open this album in my library. Delta did great work here. I'd even consider this song as best Delta song ever released.
<img src="https://dl.dropboxusercontent.com/u/434 ... png"></img>

05 I'll Never Break / ACE
Now let's get to my favorite singer among the Eurobeat scene. His recent works never were perfect, some even disappointing. Well, ACE starts off with a really motivating song. "I'll never break under the pressure" is a good line for starting the day. Besides that, the musical work is perfect. It doesn't even have the typical SCP sound. It feels fresh and new. And hell, I love this. What's happening here?!
<img src="https://dl.dropboxusercontent.com/u/434 ... ng/r10.png">

06 Firegun / Vicky Vale
Could this album become even better now? It can! Firegun is a more than just decent song. The chorus is great. However, the song as a whole can't reach the other 10s on this album. It's mostly the b-melo which doesn't fit for me. Well, Delta did some good work, though.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r9.png">

07 Do You Remember? / Aleky
Aleky's comeback! Finally! I missed her so much, she is one of my favorite Dima singers. Well, the intro again sounds more like an experient until the Dima sound kicks in. I don't know why but female Dima songs always sound way better than male ones. This applies here too. It has the happy vibes I want to hear. Dima gets an A+ for experimenting with music and Aleky gets an A+ for coming back that good.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r9.png">

08 Blat The Trumpet / Jeff Driller
Let's get to the second half of the album with the first HRG song out of three. This is the catchiest HRG song since Dr. Wesson & Mr. Smith. It feels fresh even if it's kind of the typical HRG sound. On the other hand, the song has the funny HRG vibe. Those "random" "be-be-be-be-be"s in between the lines. Dear producers of HRG: Do more like that!
<img src="https://dl.dropboxusercontent.com/u/434 ... ng/r10.png">

09 Baby Baby / Ciao Ciao
It's funny to write down this combination of track and artist, everything doubled. However, Ciao Ciao is hit or miss for me. Well, the a-melo is the catchy part for me. It's the chorus which destroys the song for me. The musical work is okay, but not my cup of tea.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r5.png">

10 Shoot! / David Dima
Now it's Dimas turn to show his act. The music itself has the typical Dima sound, there's nothing special here. Well, the vocals give me a depressed feeling. It reminds me a bit of I Just Wanna Stay With You on 222. This song's might be slightly better but it still makes me want to #hugdima.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r6.png">

11 Walk In The Sunshine / Lilly
And here's HRG song number three. And it's the same as Baby Baby. The song itself is very good. It's the chorus which disturbs me. However, Lilly's voice is way stronger, it feels like an impact. In the end, the song doesn't reach a top position but it's a little bit better than Ciao Ciao's song.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r7.png">

12 Fun / Jager
Next entry is finally a new Jager song. The intro is nice, we get the SCP vibes. Well, I remember some of you saying, this song would be destroyed by bad mastering, the autotune, or something like that. I like this style if it fits to the song - and it does here. Okay, I must admit, the song sounded a bit weird and different on my first listen. But with the time, it grew on me. It's mostly the bridge which made it for me. By the way, does anyone else hears Cherry Lips (211) in the intro here, too?
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r9.png">

13 Kiss Again / Les, Ana & Roberta
We come the worst song for me. The chaotic SS style is not the bad thing about here. The music itself is actually really good. It's the vocals which disturb me. One of these girls sounds like a guy, probably Roberta? She sings way too low for me. Also, the vocals can't catch me, not even in the chorus. The song's not outstanding at all. I skip it most of the time. The melody rescued a few points, though.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r5.png">

14 All Over Me / Pamsy
Let's go on with Pamsy's new song. I never been a fan of Pamsy but her recent songs increased my interest in her, I even begin to like her past songs. I actually got excited to see the name in the tracklist. And well... This is her best song since her comeback. I began to love the mixture of Trance and Eurobeat. Everything here is working perfectly together. The a/b-melo, chorus, the bridge, everything. When she starts with "All over me", I start to sing along subconsiously.
<img src="https://dl.dropboxusercontent.com/u/434 ... ng/r10.png">

15 Hysteria / Manuel
And last but not least, a new song by the master of screaming, the craziest Eurobeat artist: Manuel. I love the song itself and it's not his worst song. But something's missing here. The chorus stays in head but I don't like the the "it's your diseeeeeeaaaaase!" This almost causes ear blood. However, this is the only negative point here. Everything else is fine.
<img src="https://dl.dropboxusercontent.com/u/434 ... ing/r9.png">

The mix of not having Sun Fire appear here (which means no Norma Sheffield, Futura and other old songs I find boring, imagine two of the good songs were replaced by them) and almost all labels experimenting with new styles here worked great! I'd recommend this album everyone to get started with Eurobeat (and everyone else, of ocurse). It's already my most-listened album of the current decade. This includes 231 which I could have listened many more times in the last almost two years.

Top 3:
Forbidden Love / Cherry
I'll Never Break / ACE
I Wanna Be A Star / Lolita

Bottom 3:
Baby Baby / Ciao Ciao
Boom Boom Booster / Tora
Kiss Again / Les, Ana & Roberta

Honorable Mention:
goes to each label except SinclaireStyle for experimenting with new sounds.

Posted: 29 May 2016, 15:09
by Bonkers
Les is the deeper voice you hear in Kiss Again
Ana is the bridge
Roberta is the chorus

You didn't like it!! :o

Posted: 29 May 2016, 18:39
by synthjunkie
Has anybody else tried to understand the meaning to the lyrics to "Fun"? I know sometimes some eurobeat songs are supposed to be sung by the opposite sex, but changed last minute.

However, these lyrics don't make sense at all in an all hetrosexual perspective, neither male nor female:

"You've got to be there boy yummy night indeed
You'll even talk with girls don't you play the fool"

These 2 lines give me big strong LGTB vibes.
What is Jager telling us here?? :wink:

Is this intentional or did these Italians just get their lyrics wrong again? :???: