Posted: 20 Aug 2008, 08:17
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Why wouldn't it be?
Everlasting Dance Trax
https://www.eurobeat-prime.com/forum/
yeah...maybe i shouldnt be "flaming" what eva that means...(must be forum nerd slang i dont know yet...)Some guts you have, flaming someone when you're a member for less than a month.![]()
And I think you should check out how long songs were on the previous few albums. I guess it averaged to about 5:00 to 5:30 mins. That would leave room for a 10 minute megamix. And megamixes don't have to have 3 minute songs. It can even be as short as a few seconds (like the SEB42 bonus track).
um didnt they do that in initial D fourth stage with the mega mix at the end it was kinda good....but then again the japs might like that!! not like avex cater for us anyways.....sadlyThey could have easily offed that megamix for TIME and Dima. Who wants the same songs again in mix form? What a watse of cd space
I'm sure 'the japs' are just as upset as you are over pointless mixes of songs you already own.Gorgia_v wrote:um didnt they do that in initial D fourth stage with the mega mix at the end it was kinda good....but then again the japs might like that!! not like avex cater for us anyways.....sadlyThey could have easily offed that megamix for TIME and Dima. Who wants the same songs again in mix form? What a watse of cd space
Not to worry. One of Eurobeat's most celebrated and respected producers is about to launch his new label with a killer rostre of vocalists. All this before the new year kicks inI knew Time was going, but did they have to replace Dima with a third ABeatCrap track? I hope they didn't permantly boot Dima off the series. And instead of a female HRG track they put in an outdated track that was already released on iTunes. Avex is shooting themselves in the foot here.
Gorgia_v wrote:
Quote:
They could have easily offed that megamix for TIME and Dima. Who wants the same songs again in mix form? What a watse of cd space
um didnt they do that in initial D fourth stage with the mega mix at the end it was kinda good....but then again the japs might like that!! not like avex cater for us anyways.....sadly
I'm sure 'the japs' are just as upset as you are over pointless mixes of songs you already own.
Now after reading this i got the impression you thought i was being racist...thats not the case, mearly stating that avex usually do what works for/ attracts the japanese, rather than what we would want, and i never said it was pointless, i rather liked the initial D fourth stage megamix...and the simfile i found is quite good also
i was actually trying to state that i am looking forwars to this mega mix,
sorry if i offended
Predictions for 190's:
1. Mr. Dall Ora will start up a new label and get more songs on SEB under different name
2. Powerful T. will make an astounding comeback
3. Claudio will return to Live Music Studio(don't wake me, I'm dreaming)
4. Fastway will rap and ruin yet another SCP song
5. Domino will actually relese a new song on Go Go's label under her old title.
6. Saifam will introduce 5 new vocalists(yeah right)
7. Dima will get more than 1 song on SEB
8. Sinclaire will return to DELTA where he actually made hits.
9. DELTA will become the new SEB powerhouse. Oh wait a minute...That already happening
I think Sinclaire's output has slipped a LOT in recent years. Newfield has always managed to surprise me with some of the stuff he cranks out, plus Delta has some fresh writers with new ideas. The fact is, there was a point where Delta was growing very stale, even with him on board.Javy wrote:Also Bratt Sinclaire is a hitmaker no matter what the label. Personally I think Delta needed Sinclaire more than he needed them.
Sinclaire's problem nowadays is inconsistancy. Out of the 4 tracks he had in the 180's, the only one I actually cared for at all was Move On Now Baby by Megan, and even that could have done with some fresher sounding production. He needs to jump out of the dark ages and take a listen to what his old work colleagues are producing.DJ Mike TJG wrote:I think Sinclaire's output has slipped a LOT in recent years. Newfield has always managed to surprise me with some of the stuff he cranks out, plus Delta has some fresh writers with new ideas. The fact is, there was a point where Delta was growing very stale, even with him on board.Javy wrote:Also Bratt Sinclaire is a hitmaker no matter what the label. Personally I think Delta needed Sinclaire more than he needed them.
Not to deny him the role he played, though - a lot of Delta's old AAA hits were penned by him (Night Of Fire, Yesterday, Speedway, etc.), but to call him a hitmaker now isn't much cop - he hasn't produced an EB song under SinclaireStyle so far that I've enjoyed. Hopefully that can change?
Flame And Fire was good!the_ditz wrote:Sinclaire's problem nowadays is inconsistancy. Out of the 4 tracks he had in the 180's, the only one I actually cared for at all was Move On Now Baby by Megan, and even that could have done with some fresher sounding production. He needs to jump out of the dark ages and take a listen to what his old work colleagues are producing.