Bonkers wrote: 14 Jan 2018, 06:23
My new though: Eurobeat mastering
I don't understand why the mastering is so cloudy on tracks; it's the ONLY genre of EDM I've come across which such horrible mastering. Is it the labels? or Avex? or Both? On some SEBs, the tracks can sound so crystal clear. On others, it's horrible. Even tracks from the same label can have one track sounding clear, with the other track sounding foggy on the same CD. So are the producers/engineers just not trained well on the labels, or is someone at Avex just bad at mastering?
Other genre tend to have a cult following for vinyls and it's produced, generally, with that in mind. However, most of current Eurobeat listeners, dropped out of vinyls. Only those that were there since the beginnings (late 80's, early 90's) would still prefer to have eurobeat on vinyl. So, because of that, mastering took a dump.
From personal experience, only Capaldi/Rizzi/Moroni Delta cares enough to create eurobeat that is not loud to an extent. Hi-NRG Attack, these days, has very decent mastering; they have a nice middle ground. As you know, Asia is the worst offender these days. SCP and Go Go's always had that middle ground mastering afaik. SinclaireStyle used to have pretty bad loudness mastering (see: Passport To Dance) and it's better now but they're no angels. I can't say for Dima though as I never seen their pre-Avex mastering.
But, in the end, Avex decides the overall mastering and will brick songs for the sake of consistency on the CD.