Eurobeat Prime :: Forum

something that i've discussed with gelmetti and I think I also mentioned to you before oresama, Bratt tends to not try anything knew. Almost all of his music if composed of small, very fast sounds, making many of his songs sound alike. I can usually tell when a track was made by Leonardi. However, I really can't tell the difference between Gabrielli and Gelmetti tracks.

taQ wrote: Laurent tends to not try anything knew.

I don't remember?_?

You confused me a bit here... actually you're meaning Bratt, right?

Laurent and Bratt definately have different styles. That is what makes them interesting composers. It is evident from Oresamas's list that the latest Sinclaire productions, save "Bang Bang" and Fahrenheit Euronight ; have not been up to quality. While Laurent , because of digging into his Italo roots has come up with some SUPER Gems
Madison - Without You
Eurofunk - Stop To Give Up
Kevin Johnson - Got To Be Your Lover
That's not to mention his work at AKYR

I think the problem to be AVEX in thier choices. I sometimes feel like they all ready have about 10 cds in mind and therefore spread out the great with the less quality songs.
The cure ..more new artists. That really exites the Eurobeat community...and please more harmony between producers. It would be a shame if the fueding killed off "the Beat"

Wow,
I'm glad to see this great interesting in my question!
So, for myself, I ilke both of Leonardi's and Gelmetti's songs...
The important thing is to have them all!

drnrg wrote:While Laurent , because of digging into his Italo roots has come up with some SUPER Gems
Madison - Without You
Eurofunk - Stop To Give Up

I like that Eurofunk song.

Kevin Johnson - Got To Be Your Lover

= I Should be so Lucky (as is sung <LOL>)

oresama-chan wrote: Why Avex had to dig out those old songs in red by Laurent?
Yeah, it's clear as day.

How do you know if a song is old?

oresama-chan wrote:

taQ wrote: Laurent tends to not try anything knew.

I don't remember?_?

You confused me a bit here... actually you're meaning Bratt, right?

yup you're right i corrected the original post that would be horrible for me to say about Mr. Gelmetti

UQ100 wrote:How do you know if a song is old?

Cuz I've been a Delta freak and remember pretty well
when each song was added to the catalogue.

oresama-chan wrote:

UQ100 wrote:How do you know if a song is old?

Cuz I've been a Delta freak and remember pretty well
when each song was added to the catalogue.

Thanks for the info.

How old does a song have to before you call it "old"?

UQ100 wrote:How old does a song have to before you call it "old"?

Hmmm....this way,

6 - 18 months before - a bit old
19 - 36 months before - old
more than 37 months before - very old * Niko Kickboxing is here.

I think that list is very funny, Oresama. Mainly because I only like a few of Bratt's songs...and almost EVERY Newfield song, except for the Suzy Lazy song, which is old too...right?

cigy41987 wrote:I think that list is very funny, Oresama. Mainly because I only like a few of Bratt's songs...and almost EVERY Newfield song, except for the Suzy Lazy song, which is old too...right?

Right. I remember Mr. Gelmetti said "Carry On Baby" wasn't his mix, but
judging from the writers, seems his production, so...

I guess the question is can Sinclaire carry DELTA on his shoulders without Laurent. I remember seeing Clara as Co-Writer on many TIME trax. Maybe she could contribute more of her writing skills. ...and what ever happended to Ravnant? He used to write at DELTA before breaking off and joining Europanic. I believe that was one of those conflicts at DELTA; hence "Tokyo Lights" and "Tokyo Nights" Which sound exactly alike.

drnrg wrote: I guess the question is can Sinclaire carry DELTA on his shoulders without Laurent.

Well, he carried A beat C from 1991-1996, so why not? Besides, especially in the beginning of Delta, his songs made Delta great. Ofcourse, Laurent's tracks were good as well, but the (synth) melodies on his compositions were just copied from (his) old TIME tracks most of the time. In that period Sinclaire was the big man, I think he can become that again.

Yeah, I very liked the scoring of D.Essex - Music forever, Marko Polo - Money go!, Baby queen seventeen and Speedy speed boy, Niko - Speedway, Suzy Lazy - I believe in music.
I think these are the best works from Sinclaire, about the powerful bass and nice clean high sounds. Energetic, cool songs and good quality(you know what I mean).
I hope he'll back to this style.