Posted: 15 Aug 2017, 06:52
Everlasting Dance Trax
https://www.eurobeat-prime.com/forum/
Yes, they are the same. Brickwalling is the F word equivalent of "clipping", "loudness war" and "compression". It's when producers make the sound so loud that...magiblot wrote: 15 Aug 2017, 14:02 But clipping and brickwalling aren't the same thing, aren't they? (I assumed clipping was the only artifact caused by "the loudness war")
I have seen clipping in many modern SEB tracks but only Saifam's had brickwalling.
In fact, it seems to me that it was from a certain point in time that their songs began to include brickwalling.
Then, why is it that some clipped songs sound distorted and others not?Lebon14 wrote: 15 Aug 2017, 21:06 Yes, they are the same. Brickwalling is the F word equivalent of "clipping", "loudness war" and "compression". It's when producers make the sound so loud that...
1. it distorts
2. there's no difference between quiet and loud
It always depends on how much compressed (how flat, no sound variation) the song is. The lower his dynamic range, the more likely it's going to sound distorted. Sometimes though, but rarely, the sound is very very loud and very very compressed but somehow doesn't sound distorted... it happens but remember that all sound is loud, there is no quiet regardless.magiblot wrote: 16 Aug 2017, 00:17 Then, why is it that some clipped songs sound distorted and others not?
Interesting. I do use foobar since you turned me on to it.Lebon14 wrote: 15 Aug 2017, 21:06Yes, they are the same. Brickwalling is the F word equivalent of "clipping", "loudness war" and "compression". It's when producers make the sound so loud that...magiblot wrote: 15 Aug 2017, 14:02 But clipping and brickwalling aren't the same thing, aren't they? (I assumed clipping was the only artifact caused by "the loudness war")
I have seen clipping in many modern SEB tracks but only Saifam's had brickwalling.
In fact, it seems to me that it was from a certain point in time that their songs began to include brickwalling.
1. it distorts
2. there's no difference between quiet and loud
drnrg: all your whoes could be fixed with a tagging function in files called "ReplayGain". Look it up. Foobar2000 can even do it all automatically for you.
For your interest, I took the preview audios both from JunoDownload and Unleash the Beats and tested them.Lebon14 wrote: 16 Aug 2017, 01:07 Never Know Why is another exemple. It sounds abysmal. Even on SEB. Avex only did a normal normaliztion at 90%. This doesn't improve the sound in any way. It has a dynamic range of 3. And it distorts. I wouldn't be surprised if "Tokyo To Milano (All Around The World)" score something like a 2. 20 is the best btw.
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Statistics for: Tokyo To Milano_All Around The World by Tipsy _ Tipsy on MP3, WAV, FLAC, AIFF _ ALAC at Juno Download.MP3
Number of Samples: 5305651
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Peak value: over --- over
Avg RMS: -3.85 dB --- -3.79 dB
DR channel: 3.26 dB --- 3.20 dB
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Official DR value: DR3
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Statistics for: ARD1412A01M_Tipsy & Tipsy_Tokyo To Milano (All Around The World)_The Factory Team Mix_ITC941706316.mp3
Number of Samples: 10867968
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Peak value: over --- over
Avg RMS: -3.87 dB --- -3.82 dB
DR channel: 2.83 dB --- 2.80 dB
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Official DR value: DR3
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Statistics for: DirectShowSource.wav
Number of Samples: 11176087
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Peak value: over --- over
Avg RMS: -5.28 dB --- -4.99 dB
DR channel: 4.43 dB --- 4.22 dB
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Official DR value: DR4
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Maybe it sound better on SEB234 but is that me or "Fire In The Night" is slower on this album ?Lebon14 wrote: 16 Aug 2017, 01:07 Let's take an exemple. "Fire In The Night" by Ken Martin. The song is pretty compressed. Avex normalized at ~85% and did some declipping on SEB 234. As a single, the song score a dynamic range of 4. On SEB, it rates as 6 (so, yes, it sounds better on SEB). Look up the waveforms.
Their contact e-mail is customerservice@thesaifamgroup.com. I could message them right away but I don't have a lot of knowledge about musical technical stuff. I'll wait to see if somebody else from here decides to get in touch with them.Lebon14 wrote: 16 Aug 2017, 12:46 The DR value is indeed not a definitive sign of distortion. However, the lower the value, the more chance there is.
DR3 is in line with the Mela track of SEB 243.
You can message them, but they won't like give a flying f*, tbh. It doesn't cost anything though.
The 40 Best of Eurobeat version of "Fire In The Night" has the same lenght than the SEB version. (Silence at 5:25)Rain197 wrote: 16 Aug 2017, 13:56 Maybe it sound better on SEB234 but is that me or "Fire In The Night" is slower on this album ?
Now we know avex don't like high BPM, "Mela - Change Your Time" is 170 BPM, but 158BPM on SEB233...
I just noticed you are right, so I'll post the measurements to strengthen your statement.Lebon14 wrote: 16 Aug 2017, 01:07 Let's take an exemple. "Fire In The Night" by Ken Martin. The song is pretty compressed. Avex normalized at ~85% and did some declipping on SEB 234. As a single, the song score a dynamic range of 4. On SEB, it rates as 6 (so, yes, it sounds better on SEB). Look up the waveforms.
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SAIFAM VERSION
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Statistics for: 06 - Ken Martin - Fire in the Night (The Factory Team Mix).mp3
Number of Samples: 13526831
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Peak value: over --- over
Avg RMS: -5.40 dB --- -5.48 dB
DR channel: 4.04 dB --- 4.24 dB
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Official DR value: DR4
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SEB VERSION
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Statistics for: 01. Ken Martin - Fire in the Night.mp3
Number of Samples: 14554195
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Peak value: -0.00 dB --- -0.00 dB
Avg RMS: -7.43 dB --- -7.57 dB
DR channel: 6.01 dB --- 6.08 dB
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Official DR value: DR6
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