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Robert Stark interview with Bratt Sinclaire
Posted: 27 Jan 2017, 15:15
by Anthony McBazooka
Re: Robert Stark interview with Bratt Sinclaire
Posted: 28 Jan 2017, 20:50
by synthjunkie
I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.
This interviewer has quite a few other interesting topics he has discussed on his website with other interviewees. I wonder whether he is a eurobeat prime member already?
Re: Robert Stark interview with Bratt Sinclaire
Posted: 28 Jan 2017, 21:56
by Crockett
synthjunkie wrote:I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.
For example what ?
Re: Robert Stark interview with Bratt Sinclaire
Posted: 29 Jan 2017, 00:25
by synthjunkie
Crockett wrote:synthjunkie wrote:I listened to the interview and learned a few things I didn't know about Bratt Sinclaire and eurobeat.
For example what ?
I learned that it wasn't Bratt Sinclaire who decided to use words like "fire" "cars" etc all those things famous in the lyrics of eurobeat.
He said that Avex handed him over a list of easy to understand words for the Japanese and to incorporate them into eurobeat.
Posted: 30 Jan 2017, 05:39
by Markos
I want to hear the original, better Night of Fire that got rejected and locked away in the vault.

Posted: 30 Jan 2017, 08:55
by xiao
Posted: 30 Jan 2017, 17:19
by Crockett
Copying some sentences from another forum...
Bratt Sinclaire is the last artist, who approaches so much seriously to Eurobeat and looks to the future.
He admitted, that business in Japan is over not since today... But for him there is no problem, he is fulfilled and wants to continue the career.
As we heard he prepares 3 demos per week. Under Avex Trax unfortunately it doesn't help.
Of course nobody can't enforce and require the same attitude from other producers.
The all hype, popularity nowadays comes from new generation international fans, for who the point of reference are some games, anime, ParaPara, all these things, even more than for traditional Japanese.
The interview was held in Los Angeles (?), so they discussed american market as the place of increasing interest about the genre?...
And here what should I think, I'm not sure.
No legal distribution in these countries, Eurobeat is invariably japanese, the sale isn't better thanks to several people declared regular purchasing in USA, Canada, so...
Fans of dance, cartoons ? But who buys MUSIC used in listed forms of entertainment, that we could say about ANY market?
Just my standpoint...