Super Eurobeat 183

oresama-chan · Post by **oresama-chan** » 05 Jan 2008, 01:11

cheeseman wrote:
oresama-chan wrote:I think it's the same vocalist as Sarah May + Kimmy as I told you
before.
She's also Nevada, right?

I'm pretty sure Nevada was Elisa. I cannot mistake that sweet, adorable,
cute voice for another! lol

para_rigby · Post by **para_rigby** » 05 Jan 2008, 06:02

As much as I heard, Newfield stopped producing Akyr to go back to Delta last summer. So it's him, Moroni, and others, but no Sinclaire.

drnrg · Post by **drnrg** » 05 Jan 2008, 06:18

para_rigby

As much as I heard, Newfield stopped producing Akyr to go back to Delta last summer. So it's him, Moroni, and others, but no Sinclaire

That's exactly the reason why DELTA is kicking ass all over agin

DELTA without Newfield is not DELTA!

Ricfiam · Post by **Ricfiam** » 05 Jan 2008, 08:48

Yeah, but I miss Sinclaire too.

#Infinity · Post by **#Infinity** » 05 Jan 2008, 16:57

I wonder what happened to the vocalists who worked for Akyr Music. I would love to see Claudio Magnani working at Hi-NRG Attack again.

valiant · Post by **valiant** » 05 Jan 2008, 17:55

Dima is back doing Dima Music
No idea where Claudio Magnani went
Jimmy Diamond is in delta now (according to 183)
No idea where one of the female vocalist went (the one who did Electric love) though I miss her already

Shinji-kun[NGE] · Post by **Shinji-kun[NGE]** » 05 Jan 2008, 22:40

DELTA without Newfield is not DELTA!

Yeah, but I miss Sinclaire too.

I miss Sinclaire too, his style was the most modern and progressive all the time he worked in A-Beat-C & especially in Delta. I liked his way to make great intros & riffs, unique for every new song and always awesome.
Today's Delta, even with Newfield, is not that Delta that was with us till 2005. Style changed rapidly... And I really advice to change the label name... I can't name the label as Delta because there's no trio anymore...
And the duet Sinclaire & Moroni still is the best duet of composer & vocalist, & most important for Eurobeat development... I just can't believe that will never again listen to magnificent Bratt Sinclaire sounds with the most beautiful female voice in the world - voice of Clara Moroni...

oresama-chan · Post by **oresama-chan** » 06 Jan 2008, 00:18

valiant wrote: No idea where one of the female vocalist went (the one who did Electric love) though I miss her already

Now you're talking. So you miss Queen 26.

drnrg · Post by **drnrg** » 06 Jan 2008, 04:02

valiant

No idea where Claudio Magnani went

Claudio Magnani could be concidered to be at ABeatC or at least he was. He co-wrote a few songs for Powerful T. ,like Dangerous Love , Glorious, and Into The Daylight. I'm still Still waiting for him to actually sing.

oresama-chan · Post by **oresama-chan** » 06 Jan 2008, 04:50

drnrg wrote:valiant
No idea where Claudio Magnani went
Claudio Magnani could be concidered to be at ABeatC or at least he was. He co-wrote a few songs for Powerful T. ,like Dangerous Love , Glorious, and Into The Daylight. I'm still Still waiting for him to actually sing.

Nah, that's not Claudio, but Carloandrea Magnani (fellow band members
of Roberto Tiranti).

Jay · Post by **Jay** » 06 Jan 2008, 14:36

Shinji-kun[NGE] wrote:
DELTA without Newfield is not DELTA!

Yeah, but I miss Sinclaire too.
I miss Sinclaire too, his style was the most modern and progressive all the time he worked in A-Beat-C & especially in Delta. I liked his way to make great intros & riffs, unique for every new song and always awesome.
Today's Delta, even with Newfield, is not that Delta that was with us till 2005. Style changed rapidly... And I really advice to change the label name... I can't name the label as Delta because there's no trio anymore...
And the duet Sinclaire & Moroni still is the best duet of composer & vocalist, & most important for Eurobeat development... I just can't believe that will never again listen to magnificent Bratt Sinclaire sounds with the most beautiful female voice in the world - voice of Clara Moroni...

I'm glad Sinclaire's songs aren't on SEB anymore, though rumours suggest that he'll be back soon unfortunately.

He started burning out during the 140s. The 150s were an absolute train wreck for him (and this is the era where I started to REALLY begin listening to eurobeat). Not only did many people think this way, but so did Avex.

Before the 140s, he produced many great hits that were surely a nice boost to his ego. However he kept playing it safe by reusing the same formula in his songs until finally his tracks were so worn out and overdone that they were just crap (the Leslie Parrish song on 168 is a good example).

Maybe the short break helped, who knows? I guess time will tell what will happen, but at the end of the day I'd much rather Blast! or Dima on SEB than "SinclaireStyle."

Not trying to be mean but that's how I feel.

#Infinity · Post by **#Infinity** » 06 Jan 2008, 18:19

Honestly I wouldn't mind getting a new label onto Super Eurobeat since GGM hasn't gotten much respect from Avex regarding number of songs per release. A-Beat still gets the majority of the tracks, which I'm personally getting sick of, considering that the label produces some fairly decent songs occasionally, but mostly it's just filler, especially the continuous tracks by the same artists. Considering how massively far behind the rest of the labels they are, I honestly wouldn't mind if they had 1 or 2 fewer songs per album to save room for a new label. It just makes more sense in the long run for a more well-rounded compilation.

Super Eurobeat 175 imo had the perfect label setup. An additional SCP track couldn't hurt at all, Go Go's Music had far more to offer (not to mention all 3 tracks were awesome), and out of the 2 A-Beat C tracks offered, both were very well-picked, as Avex was not required to choose so many different songs from the label that all they were left with was filler in order to present them with artist variety.

And by the way, let's take a look back at the Remix CD's we've gotten so far. The only 2 A-Beat C songs to be remixed are Midnight Love and Takumi, both by Neo (who apparently no longer works at A-Beat C) and both well older than 2007. Nothing was present on 183, and nothing from Super Eurobeat was present on 179. Go Go's Music, on the other hand, earned a remix of Ready Steady Go! on 179 and 2 remixes for 183 (and they were the only label to show up on the latter, alongside SCP). Since the remixes are generally to the most popular songs released on Super Eurobeat, it seems rather obvious to me that A-Beat C is losing popularity with fans. They had a fair amount to offer on The Best of Super Eurobeat 2007, but that's really only because they had so many songs in the first place. If they're really losing popularity even with the genre's general audience in Japan, then I think it's time for them to step down a bit.

drnrg · Post by **drnrg** » 07 Jan 2008, 05:55

#Infinity

And by the way, let's take a look back at the Remix CD's we've gotten so far. The only 2 A-Beat C songs to be remixed are Midnight Love and Takumi, both by Neo (who apparently no longer works at A-Beat C) and both well older than 2007. Nothing was present on 183, and nothing from Super Eurobeat was present on 179. Go Go's Music, on the other hand, earned a remix of Ready Steady Go! on 179 and 2 remixes for 183 (and they were the only label to show up on the latter, alongside SCP). Since the remixes are generally to the most popular songs released on Super Eurobeat, it seems rather obvious to me that A-Beat C is losing popularity with fans. They had a fair amount to offer on The Best of Super Eurobeat 2007, but that's really only because they had so many songs in the first place. If they're really losing popularity even with the genre's general audience in Japan, then I think it's time for them to step down a bit.

Starting to sound like a broken record there with the constsnt ABeatC preaching. The reality is they are not going anywhere and if they did step down then TIME would most likely take the crown and showcase more track per cd(wich would make me cum on every cd

). It's not about AVEX being fair ,it's about business. I'm not on thier side nor anything, I'm just being realistic.

...As far as Blast is concerned, I doubt they will be appearing on SEB anyTIME soon. I've heard some of t that Beat Tunes cd and honestly thier tracks kinda sound like some SCP throw away material. On the other hand DIMA's material is way cool and they have shown thier potential on SEB before. They would be a nice return, but never at the expense of any of the labels making up the current SEB roster.

#Infinity · Post by **#Infinity** » 07 Jan 2008, 06:26

drnrg wrote:Starting to sound like a broken record there with the constsnt ABeatC preaching. The reality is they are not going anywhere and if they did step down then TIME would most likely take the crown and showcase more track per cd(wich would make me cum on every cd ). It's not about AVEX being fair ,it's about business. I'm not on thier side nor anything, I'm just being realistic.

Can't they at least treat fans with the label setup that will garn the most popularity out of their albums? It seems to me that most people here agree that the label is starting to become repetitive and uninteresting, both of which justify why they should give off a little more space to other labels.

jeurobeat · Post by **jeurobeat** » 07 Jan 2008, 08:20

#Infinity wrote:Can't they at least treat fans with the label setup that will garn the most popularity out of their albums? It seems to me that most people here agree that the label is starting to become repetitive and uninteresting, both of which justify why they should give off a little more space to other labels.

Don't forget that people here are not the targeted audience of the series. Japan is. So the Japanese market decides, not a couple of people on this board who are flaming A beat C. I don't say I like the current label setup, but it's just the way it is.

Besides, I'd personally really like to see Sinclaire back on SEB!

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