I thought SCP was the youngest label. Didn't Stefano co-form Vibration with Luigi Stanga, but then break off to form Double, which became SCP?
And I just mentioned dropping HRG as a joke. Didn't think anyone would take me seriously, although all things considered, it wouldn't be too bad if they did take the odd volume off so both SAIFAM and Vibration would get their songs in.
And yeah, I don't really thing BBBeat's sound is really in with SEB, but it is something different.
SEB 162
I wasn't going to post my opinion, but suddenly I think I will.
I've never been a fan of High-NRG Attack. Not to say their stuff is bad, 'cause it's not. It's just too, well, out-there! It's fun, and energetic (no doubt!). I like some of it, but it doesn't fit the general setting/feeling that SEB compellations have set up.
I don't have much of an opinion on Vibration myself. I just listen to it.
I've never been a fan of High-NRG Attack. Not to say their stuff is bad, 'cause it's not. It's just too, well, out-there! It's fun, and energetic (no doubt!). I like some of it, but it doesn't fit the general setting/feeling that SEB compellations have set up.
I don't have much of an opinion on Vibration myself. I just listen to it.
Energy :: Mega NRG Man Fansite
It wasn't Stefano but Gino Caria and Luigi Stanga that formed Vibration. Stefano and Evelina worked on Vibration for a little bit until Caria died at which point they moved on to A-Beat C and worked under their sub-label, Double Records. From Double Records, they formed SCP Productions.Mikaeru wrote:I thought SCP was the youngest label. Didn't Stefano co-form Vibration with Luigi Stanga, but then break off to form Double, which became SCP?
And I just mentioned dropping HRG as a joke. Didn't think anyone would take me seriously, although all things considered, it wouldn't be too bad if they did take the odd volume off so both SAIFAM and Vibration would get their songs in.
And yeah, I don't really thing BBBeat's sound is really in with SEB, but it is something different.
As for HRG, if they stay, they need to add variety to their music. It's too similar to stuff that they've put out before. I'm guessing they follow the notion, if it aint broke, don't fix it. Like I said, give me more stuff like Mad Cow, Come On To Tokyo and Wild Temptation. I miss that style of HRG where they focused more on the voice without distorting the hell out of the female voices.
You can hate me but you know you have quality issues =p
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