@drnrg : Good review, I agree that this album is sort of cheery. Ironically, with the word "Night" all over he album lol. Also, your review of Little Girls cannot be wrong and the vinyl got picked up by Federico
@Bonkers : Good 'review', disappointed to see SOTN so low though, haha
Heck I may as well post my review since we're at it.
1. Hai Hai / Domino
Out of all the tracks Domino released, I rank this track somewhere near the bottom of the barrel. The worst part of it is it isn't even because the track is "bad" or because it's "too cheery". I actually appreciate the track for being upbeat and paying homage to her old pre-2000 tracks at A-Beat-C, but what really killed the song for me were the terrible amounts of 'Hai Hais' plastered all over the track. It was fun for a while, but it just got really annoying after repeated listens and I couldn't take much more and had to give this track a rest. A decent track, but I'd choose to listen to an unhyped 'Bad Girl' over this anyday.
Grade : 2.5/5
2. Manifold Love / Hotblade
Here's a track that is BEGGING to be released in full extended >4:30 form (and no, before anyone jumps on me, repeating parts to lengthen a song does not count). SCP still puts no effort in their intros/breakdowns/outro, but a Hotblade track is almost a bonafide hit regardless. The song is just bursting with energy, and the synth riff seems to be produced with a "heavier" sound from traditional SCP. Hotblade also displays extraordinary vocal skills here and he never lets up for even a moment on this track, which just further cements his status as the go to guy of SCP when you need a huge dose of adrenaline rush (Sorry Go 2, you are still better as a solo performance). I would 5/5 this, but I'll stand by the fact that this needs to be a "proper" extend at the very least before it deserves that kind of score.
Grade : 4/5
3. Beautiful Night / Stephy Martini
First things first, I LOVE hearing Stefania but seriously now, when are we getting another song where she can truly show her vocal prowess like 'Speed Demon'? 'Beautiful Night' has a stunning song structure that pays homage to the old Time Records aishu tracks, which does have their followers but I always found them to be pretty insipid for the most part ('Stay' by Victoria was really good though) so suffice to say, I didn't quite like this track either. On the upside, because this track got the Dima treatment, I actually enjoyed the powerful guitar driven opening and the guitar solo, not to mention Stephy's (feat Dima) beautiful vocals. Other than that, this is one track I unfortunately will not enjoy as much I would like to.
Grade : 2/5
4. Change Your Time / Mela
Heard this track before it was on SEB, didn't like it. I would at least give credit where it's due though, this track's A LOT better than a "standard" Tipsy & Tipsy track. For one, I actually enjoyed the verses in this track and the tom-tom production of this track oddly enough didn't bug me as much as I thought it would. I'll still put this track on low priority till Saifam picks themselves up again though.
Grade : 2/5
5. Spirit Of The Night / David Dima
This is easily one of the best, or if not, Dima's best presentation thus far. Since 'With A Little Bit Of True Love' on 231, Dima once again brings one hell of a powerhouse track to the table to shut his detractors up. The entire song is JUST INCREDIBLE; The track opens with a soothing piano, followed by some chilling choir inserts before leading into a guitar build up that sets the stage for a blast into your ears. Dima drops a very powerful synth riff which is then followed by haunting vocal presentation and melody by none other than the man himself, especially the bridge. The chorus owns the track though, with my favourite part being the way he sings "Take your soul and make me wild" into "woahohohoh, but you can't touch me now cos I'm burning in the fire!". The song also sports a guitar solo, which is epic and will always make a song sound even better no matter how good or bad it is in the first place. Also, 5:45! The song is longer than a "standard" eurobeat and I never once felt that the track drags on more than it should be, which is the hallmark of a well executed extended version. The song then ends with another inclusion of the piano intro, which serves to complete the epic song full circle. What else can I say? As far as the Dima label goes, it can't get any better than this. Thanks Davide for this masterpiece!
Grade : 5+++++/5
6. Looking For A Sexy Boy / LOL
More "fun" tracks, looks like a certain group of listeners are in for a rockin' good time. Personally, I don't gravitate to such tracks easily unless they have something "special" to offer but it doesn't mean I have to hate them all. The songwriting is good, as expected of Sinclaire. The lyrics are kinda raunchy (if I actually read it right LOL) and I highly enjoyed hearing the EDM-ish intro/breakdown. Overall, this song's not a total lost cause for sure but I just prefer listening to something else.
Grade : 3/5
7. Oh Mamma Mia / Leslie Parrish
Said it before but I'll say it again : Clara will always be the sexy queen of eurobeat to me no matter how she sounds when singing. Other than that, this is a very cookie cutter Leslie Parrish track we've heard before countless other times, neither bad nor good. You either like it for staying true to it's comfort or hate it for being the same damn thing. Oh, the "ohohohohohohohs" and "She knows my secret" makes me swoon. Overall, I like this track, but I can't help but feel like the track wouldn't have been as high if Clara wasn't the one on the mic.
Grade : 3.5/5
8. Go Go Go Big Bang Blow / Boris
The deep rough voice, the russian theme and the wild melody ... It can only be a Boris song! I have always been supportive of Boris's russian themed eurobeat as it seems like Delta puts a lot of creative juices into his tracks as there's definitely a challenge in keeping up with the theme song after song. Like most other Delta tracks, if you weren't a fan of before, this one won't do much to change your mind but I personally enjoy the "craziness" of Boris's songs. I won't be quitting humming the chorus anytime soon for sure.
Grade : 3.5/5
9. Gimme All Your Love / Jee Bee
It wasn't too long ago that Hi-NRG Attack's songs keep on one upping each other on my hall of shame list, and while I am not personal attacking Festari or blasting him for his choice of music, I just feel that replacing him with Malvicino was the best thing to ever happen in the eurobeat world. From the compositions, it's clear as day that Malvicino has the upper hand in composing eurobeat as he seems to be able to bring an element of 'dynamicism' and relative 'seriousness' to his songs (probably because he deals alot with dance music while Festari likes rock more?). 'Gimme All Your Love' is a fine example of that and I highly enjoyed this track as opposed to say, a song like 'Wherever Forever' per say. I won't even comment on vocals, they all sound the same to me. Overall, this is the female 'Piston Go' for me, just less "powerful".
Grade : 5/5
10. Seven Night / Futura
'Seven Night' is the prime example of how a primarily 'cute' singer is capable of carrying an inherently beautiful track which will move one to tears just as well, albeit with the help of autotune but it is what it is. The track begins with a rather "affecting" and slightly melancholic intro, which then does a 360 into an upbeat synth riff, followed by an equally upbeat (and poppish) verse, which is then followed by another 360 into a very mystic sounding bridge and then finally into the strikingly beautiful chorus, with my favourite parts being the 2nd chorus where Futura is accompanied by a "backing vocal" in the lines "My love is so shine" and "My prince's on fire" and the heavily altered but nice sounding "Sunshine in seven night". Seeing a pattern here already? The "breakdown" itself follows such a pattern and if I were to emphasise anymore, this review would be two pages long. Malferrari herself isn't a top notch singer and heavily relies on autotune throughout the whole song, but I actually didn't mind it so much because tracks that call for it are what she does best at, and also because she gels with the style of the track too well that all is forgiven. "Lively", "Moving" and "Emotional" (The melody, not the lyrics) are three words to describe this track in a nutshell. What's even more commendable is that Dave played zero part in this track apparently and is all done by Malferrari herself, you go girl! For now, this takes top position as my favourite Sun Fire female track ever. Thanks Malferrari!
Grade : 5++++++/5
11. Little Girls Cannot Be Wrong / Michelle Rose
This song gives new meaning to the term "3 in 1". It's like 3 songs mixed into 1 to become the ultimate mixbag. For one thing, I totally love the hard pounding trancey riff of this track, the more power a song has, the more I love it. The vocals part are a little disorientating though, not bad but more like a "How does this part lead into that part etc?" Still, the energy present in this track is what really counts, and while I may not enjoy this track as much as 'Gimme All Your Love", I still give props to the "new" Hi-NRG Attack for their consistent good songs nowadays.
Grade : 4/5
12. Go Go Player Games / Rich Hard
First things first, epic opening! It's refreshing to see producers putting real effort on their openings at the very least, unlike *ahem, who shall not be named*. It might probably come off as a surprise that I too, disliked the track initially because of certain factors, but Sun Fire tracks for me, never remain in the dumpster for long, and I still stand by the fact that the label has a penchant for songs that won't be "instant hits". One will probably need at least eight listens to know if you like it or not in the end (random statistics LOL). As usual, the label has a certain "way" of making their melodies that just standout from the rest and it is this "exoticness" that makes me love hearing the label so much at the cost of just about everything else. In fact, this is one of the less "chaotic" tracks of Sun Fire in a while. The synth used are admittedly, a huge departure from their usual material and does indeed sound "weaker" than usual but I never had a problem with it and have even grown to like this style (odd I know but that's really how SF works for me). Rich Hard's vocals too, initially bugged me as he sounded "off" on some parts of the track, especially the verse but it too, mellowed out as I kept on listening to the track. The chorus of this track has childish yelps but is plain excellent right now to the point where I would just get swept away and start humming along to the beat, especially the way he sings "We can go up up, and starting countdown!". This song is not going to strike a homerun with many for sure, and it really did took it's own sweet time, but now that it has "awaken", this now replaces "Fight" as my all time favourite Rich Hard track of all time. Thanks Malferrari once again for this one!
Grade : 5/5
13. Running On Love / Tora
'Running' is right. This track sure is fast and busy. As usual, excellent songwriting from Sinclaire, especially on the verses, one just can't deny the amount the amount of brain juice that's running in that guy's head. It's also good to see that the grating synths were not as "loud" as before so all is forgiven. All in all, I enjoyed this track and is definitely worthy of standing side by side with "Minimal Love" as some of the best female led Sinclaire tracks in a while.
Grade : 4/5
14. Run To Me / Kaory
This is a song I like to call, the female version of Dima's "Spirit Of The Night", for it's just two really "Dark" songs with "Spiritual" elements. Unlike the latter, this is a prime example of a song that screams "FAN FAVOURITE" right from the get go. However you look at it, one cannot deny that the concept of this song is just plain INCREDIBLE; The song starts off with an ominous sounding piano intro that will send chills down your spine the moment you hear it, and by the time you hear Kaory/Irene(?) belting out her notes, I'm pretty sure a good number of people would be sold right there and then without the song actually even starting (I know I nearly was, LOL). The verses are superb and the bridge defines the word "powerful" to a whole new level in the eurobeat world, in fact by the time the bridge ends, it is hands down, the most powerful eurobeat track I've heard in a good while and by the time the chorus ends with that over the top belting, I was left in the dust, almost to a point where it became somewhat creepy and I was totally ready to call this track pure madness. The breakdown wasn't exactly impressive either but hey, at least GGM bothers to do it this time so I'm not complaining. Like drnrg, I too have to question on just how "eurobeat" is this track exactly as it doesn't quite have the "elements" of a "typical" eurobeat track and sounds more like uhm ... I don't know but just something. At 6:24, the long running time in my opinion is both a blessing and a curse for this track. I get to hear a "long" song but because this track is so over the top, I personally can't listen to this song for more than a few times before I need to "catch a break" (headphones user here). Overall, it's an excellent song for sure but god jesus is this song (and the people involved in producing and singing this track) absolutely insane. I still can't comprehend this song as being GGM produced, I mean, GGM really? Did they suddenly decide to leap out of their 4 minute edits to produce a 6 minute powerhouse track? Plain unbelievable!
Grade : 4.25/5
15. Dance All Night / Kiki & Fancy
A decent enough track, for the sole reason of it being the perfect song to temper the madness that is the previous track. This type of insanely upbeat and cheery songs will find an audience with some people, but for the rest of us who are more inclined towards serious eurobeat, it would be better to skip this song altogether to save your sanity. You won't regret it.
Grade : 2/5
Top tracks of 233:
Seven Night / Futura | Spirit Of The Night / David Dima
Go Go Player Games / Rich Hard
Bottom tracks of 233:
Dance All Night / Kiki & Fancy
Beautiful Night / Stephy Martini
Change Your Time / Mela
Honorable Mention(s):
Gimme All Your Love / Jee Bee
Run To Me / Kaory (for being the most over the top eurobeat track in a long while)