Something missing from current Eurobeat...
Something missing from current Eurobeat...
The back vocals in the choruses!!!
https://www.youtube.com/watch?v=MBn5IgrrLvQ
https://www.youtube.com/watch?v=eNZvSpCq00w
Also, DUETS(well what sounds like a duet in the chorus)
https://www.youtube.com/watch?v=e1uQmvY-8gc
https://www.youtube.com/watch?v=MBn5IgrrLvQ
https://www.youtube.com/watch?v=eNZvSpCq00w
Also, DUETS(well what sounds like a duet in the chorus)
https://www.youtube.com/watch?v=e1uQmvY-8gc
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- Eurobeat Scholar
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- Location: CALIFORNIA DREAMING
There just seemed to be more imagination and creativity back when the demand was for monthly releases.Mindsweeper wrote:Maybe they just don't have the time/energy to write and record all those parts. I think eurobeat loses a lot of its character without those big awesome stacks of vocals.
Speed of the night, Mikado!
Another good example! Shouting! Where did the shouting go?
https://www.youtube.com/watch?v=QtMpwfMDM7o
Fighters! You have to be ready!
Fighters! You have to be crazy
Fighters! You know what I mean?
Fighters! The race is have to start!
Here comes! Here comes the game! SNOWGAME FIGHTERS!
https://www.youtube.com/watch?v=QtMpwfMDM7o
Fighters! You have to be ready!
Fighters! You have to be crazy
Fighters! You know what I mean?
Fighters! The race is have to start!
Here comes! Here comes the game! SNOWGAME FIGHTERS!
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- Bazooka Bellydancer
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For me, those kiddie shoutings are fine, but not too much... The only tracks I like with kiddie shoutings are from Kiki & Fancy, especially Pararappa Dance and Go Bananas...drnrg wrote:I could do without SCPs & GGMs kiddi shouting indefinately
"Like a number one, Eurobeat is magic, love and fun" - Anika
Also, the vocal structure just isn't as forceful, fast, and aggressive as it use to be. For example, listen to tracks from 1993/1994, & Hi-NRG Attacks tracks from 90s-2000s.
Edo-Dance The Nation comes to mind.
The closest examples I can think of recently are mostly SS tracks. Fire Wire is an excellent vocal arrangement.
And cool intros!
Edo-Dance The Nation comes to mind.
The closest examples I can think of recently are mostly SS tracks. Fire Wire is an excellent vocal arrangement.
And cool intros!
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- Eurobeat Master
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(I'm sorry for the wall of text… I just need to talk…)
Ooh yes
Somehow, I feel like current eurobeat lacks this and… power. Older works didn't have so many electronic elements or "special effects" - as I can recall - they were completely founded in intricate melodies with simpler instrumentals, vocals were… how can I say that hmm, charming? Everything was a lot more natural… the reason could be that new releases were done in shorter time. I remember something a teacher said to me: the more the better, practice makes perfect (or close). What we have now is just a shadow of that time, labels releasing very little, in the course of months. We also have new producers, vocalists, etc, bringing their own musicality - not exactly eurobeat (in its essence) - which is good. But there's no more struggle to get the better of it, no more rush to make something new and creative, the labels can work at their leisure--I'm not saying they are just doing anything anyway anytime they want! But deadlines are not a problem if we compare with those crazy monthly releases haha.
At last, best eurobeat years for me were the 90's so I stick to them. I don't really mind the actual scene, to be honest, although I do support the labels as I can (now we have direct contact with most producers, something that was not possible 20 years ago) and be sure to send them a lot of love
Ooh yes
Somehow, I feel like current eurobeat lacks this and… power. Older works didn't have so many electronic elements or "special effects" - as I can recall - they were completely founded in intricate melodies with simpler instrumentals, vocals were… how can I say that hmm, charming? Everything was a lot more natural… the reason could be that new releases were done in shorter time. I remember something a teacher said to me: the more the better, practice makes perfect (or close). What we have now is just a shadow of that time, labels releasing very little, in the course of months. We also have new producers, vocalists, etc, bringing their own musicality - not exactly eurobeat (in its essence) - which is good. But there's no more struggle to get the better of it, no more rush to make something new and creative, the labels can work at their leisure--I'm not saying they are just doing anything anyway anytime they want! But deadlines are not a problem if we compare with those crazy monthly releases haha.
At last, best eurobeat years for me were the 90's so I stick to them. I don't really mind the actual scene, to be honest, although I do support the labels as I can (now we have direct contact with most producers, something that was not possible 20 years ago) and be sure to send them a lot of love
A driving drum beat
https://www.youtube.com/watch?v=8F6xBJovTb4
Tracks today just don't have that 'chuck''chuck' 'chuck' drum beat.
Another good example:
https://www.youtube.com/watch?v=WesjPKtjKYc
https://www.youtube.com/watch?v=8F6xBJovTb4
Tracks today just don't have that 'chuck''chuck' 'chuck' drum beat.
Another good example:
https://www.youtube.com/watch?v=WesjPKtjKYc
Hmm, how did I miss this post but 100% agree on this. I still like today's eurobeat but unlike the 90's, none of these will become "classic" eurobeat material like those "good ol'days". There's a charm to the 90's/early 2000s tracks that I can't quite put a finger on and cannot be replicated. The only upside is that we now have technology to contact the producers but me thinks it's 10 years too late.milachan wrote:(I'm sorry for the wall of text… I just need to talk…)
Ooh yes
Somehow, I feel like current eurobeat lacks this and… power. Older works didn't have so many electronic elements or "special effects" - as I can recall - they were completely founded in intricate melodies with simpler instrumentals, vocals were… how can I say that hmm, charming? Everything was a lot more natural… the reason could be that new releases were done in shorter time. I remember something a teacher said to me: the more the better, practice makes perfect (or close). What we have now is just a shadow of that time, labels releasing very little, in the course of months. We also have new producers, vocalists, etc, bringing their own musicality - not exactly eurobeat (in its essence) - which is good. But there's no more struggle to get the better of it, no more rush to make something new and creative, the labels can work at their leisure--I'm not saying they are just doing anything anyway anytime they want! But deadlines are not a problem if we compare with those crazy monthly releases haha.
At last, best eurobeat years for me were the 90's so I stick to them. I don't really mind the actual scene, to be honest, although I do support the labels as I can (now we have direct contact with most producers, something that was not possible 20 years ago) and be sure to send them a lot of love
You and me like a fire tonight
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
Me and you 2 guardian angels
Now I feel your touch into my heart
A ray of sun~
- Guardian Angels / Oceania
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- Eurobeat Boom
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