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Reviews: Back to Index
The albums have been graded on the most common grading system used in
Finnish schools. Where 4 is the worst, and 10 is the best. The final score
for the album is most of the times the average for all of the tracks, though it can also change if the reviewer wishes so. The Super Eurobeat Non-Stop albums will be reviewed as full collections, and the individual songs won't be reviewed, unless they are completely new. Though Euromach and JGTC albums for example will have complete song by song reviews.
The grading system simply goes as ie. 4- (3,75), 4 (4), 4+ (4,25) and 4½ (4,5) and the next one again would be 5-. A simple system we have over here in Finland.
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Super Eurobeat 237
1.Kaioh - Nitrofire (Go Go's Music)
After a brief pause in reviews, I'm trying my best to get back on the
horse. And what better way to start the re-learning process than an
explosive performance by the young and talented Federico.
Kaioh has had a fairly strong streak of hits up to this point and
Nitrofire aims to keep up with the pace. The track works as a good
example of how Super Eurobeat albums these days should be opened up
with. The song has a really strong presence with full bass and an
aggressive synthline that has remnants of the classical A-Beat C sound
from the golden days of eurobeat, so what would be a more perfect opener
eh? The song is in every way rather identical to the structure of the
awesome Sunlight from 222, but slightly falls behind in
imagination. The ever present electric guitars and really lush and full
synth are becoming an iconic style of the Go Go's men by now. While
Manuel provides an even slightly stronger performance I can't really
blame Kaioh's efforts here. Nitrofire is an excellent
energy faire that just needs a slight bit of extra variety to really
remain as a classic like Sunlight. A great song none the less and
really shows Federico has herited from his parents.
Rating: 9+
2.Tipsy & Tipsy - Living On The Edge (Asia/Saifam)
The recent years have not been the best for the fans of Asia in general.
The label has lately done quite a few covers and original productions
have felt a bit lackluster. Living On The Edge follows the
familiar grounds that Tipsy & Tipsy have treaded on in the past
as well: The song sounds really upbeat and offers that similar synth
we've heard quite a few times in the past as well. What the track really
offers is a relatively catchy chorus, but that aside the song sounds
like a hollow shell. If the song had cut off a minute of its excessive
length the repetitive nature of it would probably not have felt as bad
as it currently does. Now the song really has nothing special to really
remark to begin with, it's just a bubbly track that has nothing on the
actual classic upbeat entries by the label.
Rating: 6+
3.Grace 2U - Wake Up Everybody With Cupid (SCP)
The ever experiemental SCP provides us with a rematch of the ever
so lovely Big Heart that was mostly loved by everyone when it was
released. Wake Up Everybody With Cupid is something that was
obviously aimed for Valentine's Day, but due to Avex's schedule missed
the actual date by a few days sadly. Grace 2U might become a new
experiemental title for SCP that would provide us with a specific
niche of romantic aishu-esque songs in the future, kind of like
Scream Team goes with the horror theme. The song has a really
pleasant atmosphere and the slower pace fits it really nicely. For a
romantic song it also makes sense to have Christian dueting with
a supposed new female star. Out of the male vocalists on SCP I do
feel Ace is the one whose voice seems to blend the best with othe
girls so points for SCP and picking the best dueting partner they
could. What the song does in a very unique way is the pop-ish approach
to eurobeat without actually losing the eurobeat standards and sounds.
The verses could have used a bit of extra oomph to really top Big
Heart, but there's only so much to complain about this pleasant
entry all in all.
Rating: 9
4.Dream Fighters - Dance For Love (Dima Music)
I'm not exactly sure what's the cause for my recent lack of interest for
the newer Dima entries, but there's very little exciting material
to be had for me these days when I compare to what it used to be in the
190s for example. Dance For Love sounds like a B-Side of
Dancing On The Street in too many ways for me to even consider it to
be produced in a different session. It sounds like they had a few extra
ideas left after completing the really catchy A-Side, but this B-Side
sadly was left with jus the scraps. The synth sounds rehashed, the
melody has small sparkles of actual 'fun' but mostly it just sounds
lifeless and repetitive to me. It sort of reminds me how people
eventually become rutted in their daily jobs and just lose interest. I
just can't find very much positive to be had here, but maybe it's just a
slump.
Rating: 5½
5.Elly - Strawberry Heart (SCP)
The reasoning behind Avex's thought process is often a bit of mystery...
Strawberry Heart is very similar to Wake Up Everybody With
Cupid in essence, in sooo many ways I don't even know where to begin
with. But then again, Valentine's day was just around when the album
came out, so maybe they wanted more mushy mushy doki doki waku waku
material. Strawberry Heart has a sort of a similar problem as
Dance For Love where it sounds to be produced in the same session as
a different session, but fortunately here the imagination was not
entirely used in the first entry. Elly sounds very typical to
SCP, in a slightly disappointing way. I would really want to hear
more strong and distinctive vocals for a change, but she could very well
be the long lost cousin of Christine. The reminiscent voice
aside, the vocals aren't bad by any means. There's a really pink-feel to
the entire song with it's aishu lyrics and slower BPMs, but at least the
song has a good structure to back it all up with. The verses are
especially pleasant and the chorus also sounds delightful, but what I
would have loved is some extra instruments to be mended into the
structure. For whatever reason I felt a violin would be perfect for this
entry. A pleasant song all in all, but just can't compete with Wake
Up Everybody With Cupid in quality.
Rating: 8+
6.LOL - Hot Bikini Girl (SinclaireStyle)
The second coming of LOL (or Lol?) follows the footsteps
of Looking For A Sexy Boy very closely, but fortunately stands on
its own feet, and very firmly. Hot Bikini Girl has that similar
slightly slapsticky mood where it obviously isn't taking itself too
seriously, which is a very fortunate thing. The song is basically all
about a good mood and letting lose. The familiar Sinclaire synth
is something you'll either love or hate, from my perspective I'm just
glad we have moved onwards from the thin synths we had in the very
beginning when the label kicked off. No more of that feel where the
synth was played inside a barrel somewhere far away. Vocals and lyrics
are ever so simple, but one can't really example very deep tragedy
stories with a track like this. A fun song with a bouncy chorus, great
verses and a bridge that really stands out as the highlight of the whole
entry.
Rating: 8½
7.J-Stark - Lady Taxi Driver (Delta)
Maybe it's my long absence from doing reviews, but I feel like all of
these tracks remind me of something else from the past. Luca's
long career has given us with so many different tracks it's not exactly
hard to find similarities with newer releases I guess, but this time we
go nearly 6 years into the past to Go Shinkansen! Maybe they are
blending all the various public transport options into a seamless and
coherent release. I can just imagine Super Eurobus coming to town (*honk
honk*, we like to party, we like to party). Lady Taxi Driver is
an all around nice entry that does nothing very special of unique to be
remembered by. Vocals are okay, chorus is catchy and sounds are nice.
It's the embodiment of a track that is fun to come back to every once in
a while, but it really suffers from repetition.
Rating: 7½
8.Stephy Martin - 79 (Dima Music)
When I initially heard this song I was really unsure of what I was
thinking about it. The song pleasantly takes me back to the strong
SEB150s, but the small modern twist to it makes it feel fresh. When
compared to the lifeless Dance For Love I can definitely say we
are on a totally different territory here. 79 is just a song I
have a hard time really getting into. I like the sounds, the melody and
vocals all in all, but in the end I feel like something is still
missing. It's kind of like a microwave meal that is okay to have on a
busy day when you just can't spare the time for cooking, but the spices
just were left out. If you have the option of getting proper restaurant
food or cooking yourself, you'd get a totally different result. I really
do want to enjoy the song and I can't really pinpoint any flaws in the
production, but I just can't fully get into it. Y'know? Maybe it's just
not a track made for me, but I can definitely see a strong track here.
Rating: 8+
9.Paul Harris - You're Not Alone (Delta)
A slow, rather ballad-ish intro feels so out of place here, or is it
just me? Everytime the track kicks in I feel like pushing forward, but
fortunately the downtime only lasts for 25 seconds. After the song
starts a proper we get a much different kind of a mood going on.
You're Not Alone is a fast paced track with a slight pinch of aishu
in the mix. To me the song sounds like Delta might've been
experiementing with a romantic approach to a speedy track, but then
decided to drop down the idea and only left some parts of the romance
in. The lyrics definitely fit in with the romantic mood, but the fast
paced synth and melody give out a totally different feel. Luca
provides a strong vocal performance that helps the song really stand
out. Chorus and verses are really pleasant all around, but like with
most eurobeat entries there's just some extra something to be had for a
true gem.
Rating: 8½
10.Dee Dee Wonder - Fortune Teller (HI-NRG Attack)
HRG on the other hand are trying some new tricks to offer some variety.
The new funky elastic-sounding synth/hook really makes the song feel
funky and fresh at the same time. I really enjoy how they decided to
only include the funky sounds in the intro and transition melodic parts,
definitely a good decision with too much use the track could've sounded
too much like Teletubbies on helium. The sounds aside the melody
could've used some extra power to offer an actual memorable song. Now
the song is nicely finetuned, but without a strong melody there's just
so much you can do with good production. What I said about SCP
females sounding too similar to each other, I still feel it'd be about
time for HI-NRG Attack to try out a female vocalist whose voice
wasn't distorted or pitched to extremes. Fortune Teller is a good
song, but does not have enough gasoline to light the night on fire.
Rating: 8+
11.Baby Gold - Kiss Me All The Night (HI-NRG Attack)
Following on the same label we get a track that does the exact opposite
of Fortune Teller: the song uses really traditional HRG sounds,
but the melody itself is much stronger and variable which makes for a
nice contrast. Which of these two things is exactly more valuable in the
end? A totally new sound or a really strong melody. Why can't we just
have both of them in one? Kiss Me All The Night includes some
really nice usage of piano and the melody switches from erratic and
speedy to a slightly calmer and collected which works surprisingly well.
The chorus is definitely what pulls the entire song together in a neat
way. HRG is slowly earning a medal in my books for offering the most
wicked c-melodies that always add up extra brownie points. A really fun
song which could've used some new sounds or some extra instruments to
follow up to the pleasant piano parts. But my final conclusion is still
that a proper melody is what makes a song solid, which is why this one
earns a higher rating definitely.
Rating: 9-
12.Leo River - Prince Of The Night (Go Go's Music)
This track is definitely one that would have gained an incorrect grade
from me, had I reviewed the album straight after release. Prince Of
The Night sounds very familar to Go Go's fans, but as said
with the previous tracks if the melody offers something inventive and
imaginative the rehashed sounds can be forgotten. Silvio's vocals
feel to be so full of emotion and that alone makes the song feel really
strong and impactful. The Uooo at the start of the chorus always
sends chills down my spine as I just know it's when the song explodes
into full action and the excellent c-melody that follows just keeps the
pace going. A really delightful song all in all that shows how good it
is to get new writers into the scene even this late in the genres
lifespan.
Rating: 9½
13.Chai - The Men Burning Wild (SinclaireStyle)
Oh boy, oh boy oh boy oh boy! I did so not expect something as special
here as I got. The Men Burning Wild is definitely the best thing
to happen to SinclaireStyle in a very long time! The track offers
some of the most wicked sounding verses and a chorus to die for that
make the song for me. But to top that the synth has a slight Night Of
Fire feel to it which just makes the song feel even more grandiose.
A superb performance where just everything clicks together perfectly.
Great vocal work, awesome sounds with a lot of variety, enough bass to
make the car hump and the melody is just too catchy. I especially enjoy
the slower parts in the middle that kind of give a small breather before
the song kicks into full power again. Wow, just wow.
Rating: 10+++
14.Milk & Coffea - Wicked Game (Asia/Saifam)
Sadly Asia follows the steps of unimaginativeness they've been
mostly treading on lately. Wicked Game sounds like another entry
that might've not made the cut was this 5 years back in time. Apparently
the amount of tracks the label releases these days only offers so few
options Avex just has to go with what they get. There's not really much
to say about the song, it's just your typical upbeat entry with no real
melody to speak of. The chipmunks just make the song feel really bland
and sound as if it has no real personality in the end. Elevator
eurobeat.
Rating: 5
15.Fastway - Got The Power (SCP)
Avex decided to wrap up the album with some energy it started off with,
quite fitting. Ennio's age still doesn't seem to be showing as he
offers the similar energy he gave us nearly 20 years ago when he started
his journey into the eurobeat scene. Got The Power is a fun song
with the approach that should please the fans of more energetic
malebeat. For me the song remains in the nice category and falls far
behind of his biggest hits. On one hand the song has no real flaws but
on the other it doesn't really offer anything very imaginative or
different, which results in a good song that might just get forgotten
considering how many hits Ennio has released during his career
already.
Rating: 8-
Final Words :
Doing a review after 3 years of absence felt like a rather complex task,
albeit it being a relatively simple thing. But these past years I just
have not felt like doing reviews, although the 220s and early 230s have
actually have had a few fairly strong albums that I could easily give
the praise they earn (and I just might... later). Getting back into the
picture is a part of me getting more involved with the music and
actually having a slightly different situation in my own life. I haven't
stopped enjoying eurobeat at all during these years, but my recent visit
to Japan just sparked my interest back into action. Enough of the
excuses for not doing reviews and on to the album at hand: My initial
feelings towards 237 were mostly negative. I felt the album had no soul
or stickiness what so ever, but the more I listened to it, the more I
started to enjoy it. The fact is though that the departure of so many
eurobeat writers/artists naturally does a dent on the variety and
quality, but we still have very many talented writers and artists giving
their everything for the fans. SEB237 is an album that is mostly on a
solid ground with a few slumps down. The positives are that Bratt
Sinclaire definitely outdid himself with The Men Burning Wild
that is my definite highlight of this album. SCP and Go Go's
Music also did a good performance like they mostly always do for me.
As a pleasant experience HI-NRG Attack also seems to be trying
out different things and offering really fun stuff again. It's only
Dima and Asia that currently feel to be out of the loop, but
these things have happened in the past as well and there's always room
for improvement. A solid album which could've used more strong
highlights and the absence of Sunfire is also a minor
inconvenience. Hopefully they'll make a comeback soon!
Final Score : 8
The Best 3 songs
- Chai - The Men Burning Wild
- Leo River - Prince Of The Night
- Kaioh - Nitrofire
The Worst 3 Songs
- Milk & Coffea - Wicked Game
- Dream Fighters - Dance For Love
- Tipsy & Tipsy - Living On The Edge
Honorable Mention
- Grace 2U - Wake Up Everybody With Cupid
Labels present on the album:
Delta: 2
Dima Music: 2
Go Go's Music: 2
HI-NRG Attack: 2
Saifam: 2
SCP: 3
Sinclaire Style: 2
Sunfire Records: 0
Reviewed by Bore
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